Projects matching: Just

Synopsis

Nick Grosso's award-winning play Peaches, produced by the Royal Court in association with the National Theatre Studio in 1994, launched the career of one of Britain's most promising new playwrights. Grosso now dons the director's hat with this adaptation of the play for the big screen, an ordeal that took some six years to realise. Exploring the identity crisis afflicting so many young 1990s men, the story revolves around sex-obsessed Frank and his student friends. From a Leeds college bar to the pubs of North London, their emotional adventures are charted in the seemingly nonchalant and comically-hip language of confused and hapless twentysomethings. Frank's summer as a carefree slacker looks rosy until his best friend starts a job scheme. Then, when his other mate moves in with a girl and a college sweetheart tells him a big secret, Frank's world starts to spin out of control. The film was inspired by Grosso's own personal philosophy when, as a student, life "wasn't about work, but about getting up in the morning -- about chicks and babes. Work was just a distraction". Besides Grosso's status as a voice of his generation, the film's saleability rests on its two stars, Matthew Rhys and Kelly Reilly. The former is an up-and-comer whose credits include the soon-to-be-released Sorted and Titus, the latter was recently seen in Ben Elton's Maybe Baby, and both have starred alongside Kathleen Turner in the West End stage version of The Graduate. Shot with backing from a mix of private equity finance and the Irish Film Board, the film will be offered to agents and distributors in the autumn.

Synopsis

Like all the films produced by Peakviewing, Pets is an adventure intended for the whole family. Josh Grolman and Jenna Dover star as a brother and sister who get embroiled in a battle over a truck full of stolen gold bullion while their parents are meeting the bank manager in a last-ditch attempt to save their farm from foreclosure. The children call on the unlikeliest of allies -- their pets -- who club together to see off the crooks and save the day. Perhaps the most remarkable thing about the film is that it was shot over just six weeks at the end of last year. That the film features a cast of talking live and animatronic animals makes that breakneck shooting schedule all the more remarkable. "Babe had something like a year, but we had to keep the schedule down for budget reasons," says director David Lister. "The animatronic animals made a big difference. They are a lot more controllable than real animals, who tended to squabble amongst themselves. It really worked best when we had a live animal and an animatronic puppet. It's quite a stylised film -- the animals talk, so you have to suspend disbelief -- but we used lots of primary colours in the design and occasionally went for unusual camera angles to heighten that stylised sense." Since then, Lister has shot two further films for Peakviewing: Dazzle, a romantic comedy about a fairy with amnesia, and spooky story The Meeksville Ghost.

Synopsis

Poached tells the story of a young salmon poacher who comes to terms with his desire to leave his problematic family and homeland. Set in the rural community of the Scottish borders.

Synopsis

Pete's (Rhys Ifans) business is going bust, his sperm count is dodgy, and his relationship with Sarah (Sadie Frost) is on the rocks. He's infatuated with his secretary Charlie (Dani Behr), despite her being hitched to his bike-messenger Trevor (Andrew Howard) and he's spending too much time in Harry's (Nick Moran) coke den. In short, Pete's in trouble. Then his charming Irish accountant and boyhood pal Deeny (Joseph Fiennes) fixes up a meeting with the mysterious Russian Mr Kant (Steven Berkoff) and his 'assistant' (actually his daughter) Masha (Tara Fitzgerald). Masha and Pete get it together and Mr Kant comes over with the emergency loan. Pete is saved. But then comes the payback: Pete is summoned off the M25 by Masha, and ordered to Russia. There, he is taken in hand by Dr Jones (Keith Allen), Mr Kant's guru, made love to again by Masha - and then appears to be killed by Mr Kant's terrifying bodyguard (Olegario Fedoro) as a warning to other Western 'partners'. Meanwhile it's clear that Deeny set the whole thing up and is plotting to take over Pete's firm - indeed his whole life. However, Pete's not dead. Returning to London, he finds Sarah's pregnant and he's got to kill Deeny. The only people Pete can turn to are Charlie and Trevor. Masha is pregnant too and Mr Kant won't intervene. Pete's got a great plan, and Masha agrees to help with the greatest - and most bizarrely convincing alibi ever, but just as its all coming together Pete learns that Deeny has Sarah and Charlie at his mercy. Now Masha and Mr Kant must help and race to his aid, but Pete has to face Deeny alone, head-to-head, and right up to the final frames.

Synopsis

When producer Alison Owen first read the script for Rat, written by 65-year-old Irish writer Wesley Burrowes, she was convinced "it had been written by some post-modernist kid out of film school". An easy mistake to make given that the script she describes as a "Kafka comedy" is about a Guinness-loving man who comes home from the pub only to turn into a rat. "For me, the joke was never that a man turns into a rat, it was more the humorous potential of a clash of perspectives," says Burrowes. "You have an ordinary family to whom this tragic thing happens and the real comedy is in the way they receive it. They're immensely pragmatic, ordinary, decent people and suddenly this calamity occurs and they proceed to treat it as if it's just one of those domestic events that are upsetting... like woodworm in the furniture." Director Steve Barron signed on immediately, as did Stewart Till of Universal Pictures International. Production took place in Ireland in November 1999 with Imelda Staunton and Pete Postlethwaite in the key roles of wife and husband rat. Barron and Owen took the unusual decision to use real rather than animatronic rats. "Our film is sort of opposite to films like Stuart Little or Babe," Owen explains. "Whereas those films are all about the audience imbuing the animal with human characteristics, in Rat the characters are imbuing the rats with human personalities and the audience sees this as completely ridiculous." Rat premiered at the Galway Film Fleadh in July to great audience acclaim.

Synopsis

When misanthrope Russell Square falls under a tube train he thinks his troubles are over. However, finding that he has fallen into a bizarre nowhere called The Gap, inhabited by an Angel called Islington, he realises that his troubles have only just begun.

Synopsis

When seven-year-old Davy is trapped inside his home with the man who nearly killed his mother, he is forced to fight back. Fuelled by fear he grabs the opportunity to retaliate with the only weapons he has at his disposal - the shiny new keys he wears around his neck.

Synopsis

Award-winning playwright Conor McPherson steps behind the camera for the first time with Saltwater, a tale of ordinary folk in extraordinary circumstances. In an out-of-season coastal town in Ireland, the local chippie is on the verge of going under. Ever since his mother's death, Frank (Peter McDonald) has been helping his father (Brian Cox) hold the fort. But dad is in hock to the local bookie and loan shark (Brendan Gleeson) so Frank takes matters into his own hands and robs the bookie. Needless to say, things don't quite go as planned. Inspired by a dream McPherson had several years ago, the film began as a stage play called This Lime Tree Bower, which took the form of a series of monologues from the three main characters: Frank, his younger brother Joe, who feels his mother's absence the most, and Ray, a university tutor who is in love with the brothers' older sister. McPherson then teamed up with producer Robert Walpole, who, along with his directing partner Paddy Breathnach, had turned his first screenplay, I Went Down, into an award-winning hit film. Saltwater went into production just as McPherson's acclaimed play The Weir was earning raves on Broadway in New York. The film world-premiered in the Panorama section at the Berlin Film Festival in February where audience reaction was favourable. It had its Irish premiere at the Galway Film Fleadh in July and will open in Ireland through Buena Vista in September.

Synopsis

Some Voices has come a long way from its theatrical origins. The journey started when Elinor Day, then at the BBC, saw Joe Penhall's acclaimed play about two brothers, one of whom is schizophrenic, at London's Royal Court theatre. "I fell in love with it as soon as I saw it," says Day, who commissioned Penhall to adapt it as a film script. "Penhall has such an original vision of the world." Day took Some Voices with her when she moved to FilmFour, where Paul Webster liked it and agreed to commission re-writes. Penhall reworked the script thoroughly over four years, finding a visual equivalent for the "gothic, heightened naturalism" of the play's dialogue. The result, Penhall says, is "a film based loosely on the play, rather than an adaptation", with the slide back into illness of schizophrenic Ray (Daniel Craig) depicted in imaginative imagery rather than words. FilmFour brought Simon Cellan Jones on board to direct. Although it is his feature debut, the director had an impressive track record in television, including the Bafta-winning Our Friends In The North. The story is set in Shepherd's Bush, west London, where Cellan Jones lives and Penhall used to. The film was shot on location in six weeks, with a handheld camera capturing the locals' everyday life. "Every now and again you would get people looking into the camera and yelling, but we would just have to let it go," says Cellan Jones. Some Voices premiered in Directors' Fortnight at Cannes this year.

Synopsis

Ruky has just been ordered to leave the UK by the British Home Office. Her world is suddenly torn apart. Ebenezer her boyfriend could marry her and she would be granted a permanent visa, but he's a deeply religious man who would only marry for love. Lucky Okoro has just inherited his late father's millions. His close friend and laywer Dele is anxious to help him consolidate his investments, all for just 10% of the total value. Ruky soon meets Lucky and Dele, and the quest begins to find out what she really wants.

Synopsis

A mini cab appears and Alistair assumes that his disaster of an evening is over - only to discover that it is just beginning.

Synopsis

After a mysterious murder in the backstreets of London, a police officer must spring into action to bring the killer to justice.