In Harry Potter and the Prisoner of Azkaban, Harry Potter and his friends Ron and Hermione return as teenagers to Hogwarts School of Witchcraft and Wizardry for their third year of study, where they delve into the mystery surrounding an escaped prisoner who poses a dangerous threat to the young wizard.
When Dad has an accident on the grand opening night of his new restuarant, it's down to the kids - Sid, Leanne and Clare to step in and save the day. What could be a recipe for disaster turns into an inspired night of cooking when memories of childhood come flooding back - 'Junior Masterchef' meets 'Home Alone'.
It's All Gone Pete Tong is a comedy following the tragic life of legendary Frankie Wilde. Taking the form of a bio-pic, taking us through Frankie's life from one of the best DJ's alive, through subsequent battle with a hearing disorder, culminating in his mysterious disappearance from the scene.
A genius in his own right, he clawed his way to the top of the DJ ranks, now living the opulent life of a superstar, he resides in his trophy villa in Ibiza with his trophy wife. This is when tragedy hits.
Born with a hearing disorder he is rapidly going deaf with only one functioning ear to complete the new Ibiza season. How is he doing behind the decks? Horrible. How is he doing in the studio where he produces his remixes?
Frankie dives into a low period, struggling with deafness in utter depression. After a year of locking himself away he emerges on the other side with a fresh attitude towards his affliction. He accepts his deafness and learns to function without sound.
Will Frankie make it back to the DJ booth? Will his new single be any good? Will he get back his opulent old life or does he even want it back? When you can't hear, things look very different.
'Summer wouldn't be summer without matsuri. Unless you see it, you don't believe what it is like.'
This documentary is a unique comparison of traditional Japanese and English fairs. It observes why both fairs have survived for generations and why they still attract people despite oppressive heat or pouring rain.
Like an alien spacecraft landed on a poisoned wasteland, the Millenium Dome makes a fitting tribute to the works of New Labour. Taking the dome as a potent architectural symbol of the new millennium, MM is a meditation upon time reflecting the changing landscape in London's East End.
Heathcote, a young English officer, arrives on the Island where Napoleon is being held prisoner. His mission is to keep a close watch on his military idol. Lowe, the new Governor of the island, has just arrived too and rules the island like a prison. Napoleon's valet and childhood friend, Cipriani, waits on this little world. The microcosm of the French court stands united in continuing to treat Napoleon with the utmost respect.
An escape plot is hatched by an American Pirate and the former Grande Armee general. They plan to carry the Emperor away from Saint Helena on board the mythical Flying Dutchman and it becomes increasingly clear to Heathcote that Napoleon has a plan. Heathcote remembers the day when he lost Napoleon who galloped off across Deadwood Plain. He now realises that this allowed Napoleon to calculate the time needed to reach the coast. Everything for the escape goes as planned but, at the last minute, Napoleon seems to change his mind. Napoleon's rescuers are killed in the course of a bloody battle.
We see Napoleon on his deathbed clearly finding some comfort in the priest at his side. In front of Napoleon's coffin, Heathcote gathers together the threads of the story and realises that Napoleon's only chance of leaving the island was to stop being the Emperor. Cipriani laid down his life so that Napoleon could live an ordinary life at last. Heathcote likes to think that this return to a simple and anonymous life is the finest proof of Napoleon's tactical genius.
Riva is the portrait of a woman, Riva Ben Eliezer, now ninety years old. How do you look at the life of someone who has lived through so much? I would look at her hands, wrinkled and old, and think, these are the hands that did all those things, that were communist in Palestine, that were imprisoned and tortured, that bore children and a great and terrible war, that lived in Siberia, that taught kindergarten, that wrote books. These hands, no other, did this, and this is what they look like now. This is what time and life has done to my grandmother's hands.
But the film is more than that. It is more than a portrait of a woman who lived through extraordinary times, who was a Jew in a place and time when there was nothing and nowhere worse to be. It is the portrait of a whole life, not just the sections that have the most drama. It is the portrait of her now - for now contains all her past, somehow, in her hands and in her face. In her voice and especially in her laugh.
It is a private film made for the public. The use of hand processed images, with their patina of blotches and scratches, creats a space for Riva to exist, where the presentation of her ninety-year-old body is not intrusive but respectful. It is a private film also because it was made in private, just me and her, so our relationship becomes a part of it.
It is not my intention with this film to deify Riva. Just to show her, as I see her, because it is important to see the lives of others, lives that have been deeply lived, as Riva's has.
Shaun of the Dead is an everyday tale of life, love and the living dead focussing on a group of friends who encounter a literal night from hell at their local pub resulting in a zombie holocaust.
