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Director: Victoria Mapplebeck

Year: 2024

A smartphone feature exploring motherhood, filmed over 20 years by BAFTA award-winning British director Victoria Mapplebeck. At the age of 38, Victoria Mapplebeck found herself single, pregnant and broke. Unable to combine motherhood with freelance directing, she was forced to abandon her career in TV, instead turning the camera on herself and her son, Jim. Victoria first began documenting their lives with her old DVCAM before shooting almost daily on five generations of smartphones, from the iPhone 6 to the iPhone 15. She recorded hundreds of hours of footage, capturing each twist and turn in Jim’s life, from the thumbs-up he gave her during her first scan, to his first day at college. MOTHERBOARD is a complex, personal and unsentimental portrait of a mother-son relationship from birth to adulthood, exploring the ways in which Victoria and Jim navigate two generations of absent fathers and Victoria’s breast cancer diagnosis when Jim was just 13. The warm, playful and sometimes strained relationship between Victoria and Jim plays out against a backdrop of family life unfiltered. MOTHERBOARD is the antidote to the judgmental and unrealistic expectations we have about motherhood, creating an honest, funny and relatable film for any mother who has wept tears of both joy and frustration. Official selection CPH:DOX Film Festival 2024 - World Premiere Official Selection BFI London Film Festival 2024

Director: Victoria Mapplebeck

Year: 2019

A VR Journey which tells the story of Victoria Mapplebeck’s breast cancer (as patient and Director) from diagnosis to recovery. THE WAITING ROOM explores illness from a patient’s POV, putting under the microscope what we can and what we can’t control when our bodies fail us.

Director: Marisa Privitera Murdoch

Year: 2026

Edge is Everything is a love letter to photography and to the art of truly seeing. For over 30 years, Thomas Joshua Cooper has photographed the furthest edges of land with a 19th century camera. His work bears witness to landscapes transformed by climate change while recovering forgotten histories of migration, exploration and departure. Cooper draws on his Native American heritage and an extraordinary archive of audio interviews he recorded in the 1970s with photography’s most influential figures, including Ansel Adams, Man Ray, Imogen Cunningham and Paul Strand. These previously unheard tapes create a rare intergenerational conversation about photography and artistic practice. The film also examines the cost of an uncompromising creative life. His wife and adult daughter reveal the impact of his prolonged absences and challenge the mythology of the solitary artist. At a time defined by speed, distraction and instant images, Edge is Everything asks what might happen if we slowed down long enough to fully observe. This question has guided Cooper since childhood, when he was taught by his Native American elders: “Each of us has an eye that sees and a seeing eye. When you learn which is which, you will have begun to become human.”