The Waiting Room

Director: Victoria Mapplebeck

Year: 2024

A smartphone feature exploring motherhood, filmed over 20 years by BAFTA award-winning British director Victoria Mapplebeck. At the age of 38, Victoria Mapplebeck found herself single, pregnant and broke. Unable to combine motherhood with freelance directing, she was forced to abandon her career in TV, instead turning the camera on herself and her son, Jim. Victoria first began documenting their lives with her old DVCAM before shooting almost daily on five generations of smartphones, from the iPhone 6 to the iPhone 15. She recorded hundreds of hours of footage, capturing each twist and turn in Jim’s life, from the thumbs-up he gave her during her first scan, to his first day at college. MOTHERBOARD is a complex, personal and unsentimental portrait of a mother-son relationship from birth to adulthood, exploring the ways in which Victoria and Jim navigate two generations of absent fathers and Victoria’s breast cancer diagnosis when Jim was just 13. The warm, playful and sometimes strained relationship between Victoria and Jim plays out against a backdrop of family life unfiltered. MOTHERBOARD is the antidote to the judgmental and unrealistic expectations we have about motherhood, creating an honest, funny and relatable film for any mother who has wept tears of both joy and frustration. Official selection CPH:DOX Film Festival 2024 - World Premiere Official Selection BFI London Film Festival 2024

Director: Victoria Mapplebeck

Year: 2015

When a vintage Nokia mobile phone is recharged, a compelling real life story is revealed, in this mixed media documentary short. Official Selection BFI London Film Festival 2015 - Journey Strand - World premiere

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026