365
Synopsis
Details
- Year
- 2013
- Type of project
- Shorts
- Running time
- 7 mins
- Format
- 2D Digital Animation
- Director
-
The Brothers McLeod (Greg and Myles McLeod)
- Producer
- The Brothers McLeod
- Editor
- Greg McLeod
- Screenwriter
- The Brothers McLeod
- Sound
- Paul Johnston
- Audio contributors
- Adam Buxton, Anthony Brooks, Barolo, Caroline McLeod, Cookie Gross, Dave Lovatt, David Kamp, David Tennant, Gaf Evans, Gary Yershon, Harry McLeod, James Henrick, Jode Steele, Louis McLeod, Lucy Montgomery, Lyla McLeod, Mum and Dad, Myles McLeod, Paul Johnston, Polar Bear, Rob Blackham, Rowan and India, Satnam Rana, The Sonnet Man, Toby Smith, Tom Angell
Genre
Categories
Production Status
Production Company
The Brothers McLeod Limited
2nd Floor, 46 Rother StreetStratford-upon-Avon
Warwickshire
CV37 6LT
T: +44 (0)1789 290333
E: webcontact@bromc.co.uk
Sales Company
Same as Production Company
Page updates
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See also
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The Big Bad Wolf
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Year: 2024
After discovering the power of the humble brick, pigs forged ahead into the industrial revolution building houses, factories and shops to wolf-proof their lives. This is the story about a little piggie named Richmond who befriends a not-so-big bad wolf named Billy, much to the outrage of his father. Set in the Black Country, this film is about friendship, inclusivity and not judging a wolf by its cover. Official Selection BFI London Film Festival 2025
Border as interface
Director: Petra Szemán
Year: 2024
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025