Project Detail

A Glimpse at the Storys

Synopsis

A behind the scenes look at The Storys and their thoughts on supporting Elton John on his UK tour.
 

Details

Year
2008
Type of project
Shorts
Running time
5 mins
Director
Abner Pastoll, Kamma Pastoll
Producer
February Films
Editor
Abner Pastoll, Kamma Pastoll
Composer
The Storys
Principal cast
Steve Balsamo, Rob Thompson, Dai Smith, Andy Collins

Production Status

Production Company

February Films

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Homicide: Division B Homicide: Division B

Director: Abner Pastoll, Kamma Pastoll

Year: 2008

A thrilling and humorous comedy about the British police. A serial killer threatens to blow up a police station. With only a limited amount of time, the Chief Inspector must solve the problem using a most unexpected tactic.

Bandit Michele Di Gè, as an old man reflecting on his outlaw life. Diary of a Bandit (Diario di un brigante)

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

blurred out image of a face Hello You

Director: May Abdalla, Barry Gene Murphy

Year: 2026

Hello You is an autopsy of your reflection. This mirror has two sides: one that observes, and another that follows. Exploring stories of altered perception, from phantom limbs to the feeling of being a stranger in your own body, the experience stretches the split-second act of self-recognition into something you can watch unfold. Here you are asked not to look at yourself, but at the lenses through which you look.