A Night Like This
Synopsis
Official Selection Frameline Film Festival 2025
Details
- Year
- 2025
- Type of project
- Features
- Running time
- 99 min
- Director
-
Liam Calvert 1st Feature
- Producer
- Diego Scerrati
- Co-Producer
- Reece Cargan, James Heath
- Executive Producer
- Diego Scerrati, Reece Cargan, James Heath
- Editor
- Oliver Bury
- Screenwriter
- Diego Scerrati
- Director of Photography
- Oliver Bury
- Production Designer
- Holly Burrows
- Sound
- Joe Warner
- Composer
- Jonny Martin
- Principal cast
- Alexander Lincoln, Jack Brett Anderson, Jimmy Ericson, David Bradley
Categories
Production Status
Production Company
Monteverde Pictures
71-75 Shelton StreetLondon
WC2H 9JQ
Page updates
This page was last updated on 20th January 2026. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Untitled Beatrice Gibson First Feature (La Nuit)
Director: Beatrice Gibson
Year: 2026
After an abortion, a woman wanders the streets of Paris, engaging in a series of silent encounters under the neon lights of Chinatown. Taking place over the course of a single night and drawing inspiration from the writings of cult literary figures Kathy Acker, Bernadette Mayer, and Alice Notley, the film intertwines dream and reality. Shot in the reddish glow of karaoke bars, cinemas, and clubs - a collective, feminist autofiction with a cast of artists, poets, and actors.
Ancestors
Director: David Turpin
Year:
A love story, a noir mystery and a metaphysical fable, Ancestors follows Beau as he searches 1980s London for his missing friend, Tiny. Dream, reality, memory and history entwine, forcing Beau to come face-to-face with truths beyond life and death.
Speechless
Director: Adrian Gardner, Ryan Walker-Edwards
Year:
A sharp chaotic comedy set at a British-Jamaican wedding in England, where an anxious gay man’s carefully prepared speech is stolen. As dilated eyes, demonic aunties and uncles close in, he discovers that finding his voice sometimes begins with losing the script.