Immerse yourself as a dark-web hacker in LILI, a neo-noir interactive adaptation of Macbeth set in contemporary Iran. As Lili plots a murder to secure her husband's rise in the militia, your covert actions expose the machinery of surveillance, power, and violence in a regime where nothing stays hidden.
The arrival of a mysterious stranger at an old allotment on the fringes of London triggers a chain of strange events and uncanny rituals that upend the lives of its tightly knit community.
Aiden Salter, a reclusive nature writer with a debilitating personality disorder, spends his days sealed inside his council-block bedsit, obsessively watching the allotment community below — the only family he has.
Down on the plots, canalboat dwellers Alvie, Rayna, Shay and David cling to each other on the forgotten edge of London’s Lea Valley. Each night, a shared terror gnaws at them, haunting dreams that blur the line between sleep and something far darker.
When Aiden finally steps into their world, the allotment is already under threat: a vanished Ukrainian boy, a plot-holder’s horrific suicide and police preparing to shutter the gardens within days. All signs begin to point toward Aiden…and to Elsie Bierce, a notorious American occult publisher drawn to the site like a moth to flame.
As ‘Ourhaven’, branded “Sourhaven” by local tabloids, faces closure, it also readies to unearth it’s most diabolical secret.
A filmmaker investigates who tried f*cking up her friends' lives a decade ago.
It's 2015 in the quiet suburbs of London, and some anonymous loser attempts to frame a group of teens for smoking weed at school. Luckily, one of the group has now become a promising emerging documentary director ( me :D ), and will stop at nothing to find answers in this short comedy-drama-tragedy documentary, The Following People DO NOT Smoke Weed.
Executive produced by Julie Cohen (RBG), Tim Wardle (3 Identical Strangers) and Susan Simnett (Brides), this is a coming-of-age fable that brings to life the skewed priorities, conspiracies and dubious confrontations with power that define our youth...
Forensic science is scrutinised when a fictional investigator questions procedures and motivations in the politicised 1999 bombings of flats in Russia.
Official Selection BFI London Film Festival 2025
In Brighton, on the South coast of England, sharpened by the sting of sea spray, and mellowed by numinous light, a tight-knit community of oddballs and heart-felts live together in a tatty old mansion, the Fletcher Apartments. When a golden feather, the priceless antique mascot of the building, unexpectedly disappears, the residents have a mystery to solve. Will they find the talisman that previously bound them together, or will their community, now divided against itself, irrevocably unravel?
The series follows Johnny, a magnetic figure drawn to wild women and fast living. Haunted by his past, he spirals into turmoil, battling demons that blur memory and madness. As he unravels, Johnny's charm becomes both weapon and curse.
Exploring the reports of a spectral mansion on the outskirts of Rougham, a village in the Eastern county of Suffolk. The film delves into local folklore surrounding these sightings as villagers recount their haunting experiences against the desolate backdrop of rural Britain. It reflects on themes of memory, place, and the fading tradition of oral storytelling, evoking the eerie atmosphere of a fractured England and our growing disconnect from the natural environment.
Documenting the January 6 assault on the US Capitol - Filmmaker Nick Quested was embedded with the Proud Boys, and other far-right groups during the months leading up to the insurrection, capturing exclusive footage of figures including Enrique Tarrio and Stewart Rhodes that was used as evidence in hearings of the House Select Committee to Investigate the January 6th Attack on the United States Capitol, and as part of their larger investigation.
A visually-arresting, psychologically layered journey through shifting states of consciousness. The film follows Pandemonia, a London-based conceptual artist who exists as a living artwork - an anonymous avatar navigating both real and constructed worlds. Against the stark backdrop of London’s high-rises, Pandemonia enters a mysterious castle whose corridors, stairways, and chambers form a labyrinth of the mind.
Reality and the subconscious intertwine as each ascent reveals dreamlike spaces, elusive memories, and fragmented versions of self. The castle becomes a metaphor for identity - unstable, multifaceted, and shaped by the interplay of perception and projection.
The work emerged from a unique collaboration with Chinese film maker Tim Yip, who provided a unseen film footage from the Love Infinity project. Using William Burroughs’ cut-up technique, these discarded fragments were deconstructed and reassembled into a new narrative through editing, animation, and digital manipulation. The film’s atmosphere is further enriched by an original score from Taiwanese musicians Code Wu and April Red, whose soundscapes heighten its hypnotic pull.
Blurring the lines between found footage, conceptual performance, and cinematic dream, THE CASTLE invites viewers to explore the unstable architectures of selfhood in our image-saturated, digital age.
Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.
Official Selection Venice Film Festival 2025 - World premiere
Official Selection Telluride Film Festival 2025
Official Selection San Sebastián International Film Festival 2025
Official Selection BFI London Film Festival 2025
