Project Detail

Afterlife

Synopsis

Afterlife is a film about love and filial responsibility. It's the story of two siblings, Kenny and Roberta Brogan. Kenny is an ambitious young journalist, standing on the brink of a fantastic career opportunity in New York. Roberta has Down's syndrome and still lives at home with their mother, May. Two very different siblings. Two very different lives. But everything is about to change when tragedy strikes and they are forced to reassess their future.

Details

Year
2005
Type of project
Features
Running time
104 mins
Format
35mm
Director
Alison Peebles 1st Feature
Producer
Ros Borland
Editor
Colin Monie
Screenwriter
Andrea Gibb
Director of Photography
Grant Scott Cameron
Sound
Becky Thomson
Composer
Paddy Cunneen
Principal cast
Lindsay Duncan, Kevin McKidd, Paula Sage, James Laurenson, Shirley Henderson

Categories

Production Status

Production Company

Gabriel Films Ltd

The Tower
48 Cleveden Drive
Glasgow G12 0NU, Scotland

T+44 (0)141 357 4148

Sales Company

Granada International

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Nan Nan

Director: Alison Peebles

Year: 2000

Two boys are caught up their father's grief after their mother's death. But the arrival of their estranged grandmother sets in motion a power struggle that threatens to confront the ghosts of the past.

Unity showing love and appreciation within a British Chinese family Life Without Electric

Director: Emily Ng, Jay Notley

Year: 2023

A heart-warming Chinese family experience a power cut enabling the father to reminisce on his experiences growing up without Electricity.

Sylvie and Riz checking out Michael's photography website Cherry Red

Director: Stella Scott

Year: 2026

Sylvie is a 15-year old teenager passionate about photography. When she meets a photographer, Michael (36), taking portraits on the street, she hands her his camera and invites her to his studio. While Sylvie imagines he wants to help her, Riz, her best friend, warns that if a guy is talking to her, he’s only interested in one thing. Despite Riz’s remarks, Sylvie can’t help wondering what it might feel like to be seen through his lens. At the studio, Michael and Sylvie connect. She picks things up quickly, taking photos of him, then he takes one of her. Hesitant at first, she leans into it and starts to pose. When he turns away, seemingly uninterested, Sylvie removes her trousers. His light-touch manipulation has worked: she feels self-possessed, and in control. She leaves walking on air, already imagining the photo he took of her for his upcoming exhibition. She can’t wait to tell Riz. But at the exhibition opening, reality hits: an anonymous photo of her blood-stained knickers hangs on the wall instead. When Sylvie returns and sees Michael, she pretends everything’s Okay. And as the music swells, she seduces him and marks him with her menstrual blood.