Agrilogistics
Synopsis
Official Selection Berlin International Film Festival 2022 - World premiere
Details
- Year
- 2022
- Type of project
- Shorts
- Running time
- 21 min
- Format
- 4K
- Director
-
Gerard Ortín Castellví
- Co-Producer
- Oriol Campi Solé, Sabine Groenewegen, Vivianne Jorritsma
- Editor
- Maddi Barber, Mirari Echávarri, Gerard Ortín Castellví
- Screenwriter
- Gerard Ortín Castellví
- Director of Photography
- Gerard Ortín Castellví
- Sound
- Oriol Campi Solé
Genre
Categories
Production Status
Production Company
Gerard Ortín Castellví
Sales Company
Gerard Ortín Castellví
Page updates
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See also
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Bliss Point
Director: Gerard Ortín Castellví
Year: 2024
Plunging us into the ever-accelerating rhythm of food supply and the emergence of new techno-capitalist processes, BLISS POINT looks at the entanglement of automation and human labour, from dark kitchens and food advertising sets to AI-managed warehouses. Official Selection Karlovy Vary International Film Festival 2024
Agrilogistics
Director: Gerard Ortín Castellví
Year: 2022
Looking at recent technological transformations in contemporary industrial agriculture. During the day, the greenhouse is a cinematic device, an automated film set optimized for the mass production of fruits and flowers. At night, the factory the greenhouse becomes an oneiric chamber where plants, animals and machines form new entanglements.
Galicia!
Director: Anna Maguire, Kyle Greenberg
Year: 2026
What if you went on a holiday and the apocalypse happened? GALICIA! is a found-footage, hybrid-documentary following a couple through home video footage as they visit their friends at a winery in rural Spain and inadvertently capture the end of days. We live in a time where the sense of our impending mutually assured destruction is more real than it’s ever been. GALICIA! Takes the form of a holiday video - a document of a couple before - and after the great cataclysm. The film starts as something that feels unedited - an accidental video diary of an ordinary couple that feels somewhat ghostly as much as it is also pedestrian. As the film evolves and degrades, we are led to question the fragility of humanity, as well as its power to endure.