Bliss Point
Synopsis
Official Selection Karlovy Vary International Film Festival 2024
Details
- Year
- 2024
- Type of project
- Shorts
- Running time
- 26 min
- Format
- ProRes 4K
- Director
-
Gerard Ortín Castellví
- Producer
- Gerard Ortín Castellví
- Executive Producer
- Leonardo Bigazzi
- Editor
- Ainara Elgoibar, Usue Arrieta, Gerard Ortín Castellví
- Screenwriter
- Gerard Ortín Castellví
- Director of Photography
- Gerard Ortín Castellví, Pep Bosch, Albert Badia
- Production Designer
- Bianca Hlywa, Lisa Barnard
- Sound
- Oriol Campi Solé, Tom Fisher, Simon Williams
Production Status
Production Company
Spain, UK, Italy co-production
Supported by Lo Schermo dell'Arte, Fondazione In Between Art and Film, AHRC, Medialab Matadero, Tractora
Gerard Ortín Castellví
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Agrilogistics
Director: Gerard Ortín Castellví
Year: 2022
Looking at recent technological transformations in contemporary industrial agriculture. During the day, the greenhouse is a cinematic device, an automated film set optimized for the mass production of fruits and flowers. At night, the factory the greenhouse becomes an oneiric chamber where plants, animals and machines form new entanglements.
Agrilogistics
Director: Gerard Ortín Castellví
Year: 2022
Machines are checking and sorting nature in an industrial greenhouse. Human hands only intervene to straighten anything that is crooked, plant delicate items, or clean the mechanics to ensure things continue to run smoothly. Official Selection Berlin International Film Festival 2022 - World premiere
Galicia!
Director: Anna Maguire, Kyle Greenberg
Year: 2026
What if you went on a holiday and the apocalypse happened? GALICIA! is a found-footage, hybrid-documentary following a couple through home video footage as they visit their friends at a winery in rural Spain and inadvertently capture the end of days. We live in a time where the sense of our impending mutually assured destruction is more real than it’s ever been. GALICIA! Takes the form of a holiday video - a document of a couple before - and after the great cataclysm. The film starts as something that feels unedited - an accidental video diary of an ordinary couple that feels somewhat ghostly as much as it is also pedestrian. As the film evolves and degrades, we are led to question the fragility of humanity, as well as its power to endure.