Project Detail

All Trace is Gone, No Clamour for a Kiss

Synopsis

In a nondescript forest, two exiled individuals are about to reincarnate into the next life while striking up an intimate conversation on family legends, collective histories, love tales and folklore. The dialogue between the two characters appears only on screen, as the film is led by a sonic narrative – a score composed for the work by British trumpeter Kevin G. Davy. Juxtaposing analogue film and digital animation, the film collapses notions of time and space. The project explore queerness, migration, and colonial ghosts haunting relations amongst China, West Africa and the Caribbean past and now, drawing from both personal and historical perspectives.
Official Selection International Film Festival Rotterdam 2023 - World premiere

Details

Year
2022
Type of project
Shorts
Running time
21 min 52 sec
Director
Chris Zhongtian Yuan
Producer
Chris Zhongtian Yuan
Executive Producer
Pinky Ghundale
Editor
Chris Zhongtian Yuan
Screenwriter
Chris Zhongtian Yuan
Director of Photography
Bea Macdonald
Production Designer
Chris Zhongtian Yuan
Sound
Olukemi Lijadu
Composer
Kevin G. Davy
Principal cast
Ella Frost, Huiqi He, Jiaying Kou

Production Status

Production Company

Chris Zhongtian Yuan

c/o Film London

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

No Door, One Window, Only Light No Door, One Window, Only Light

Director: Chris Zhongtian Yuan

Year: 2023

Following the recent death of an artist friend L from home, who allegedly suffered from schizophrenia for more than 15 years, the artist talks to L through an imagined letter exchange, where they confront each other on notions of home, vulnerability, resistance, memory, and fraught relations.  Centering on an architectural model of the artist's childhood room, the film is entirely shot on super 8mm and accompanied by an immersive recording at the artist's home, as well as original music from London-based experimental group Langham Research Centre. The film draws from archival footage from journalistic report on May 1968, early artist filmmakers' home videos, as well as makes references to late 60s structural cinema that prioritises light and space, as an autonomous site for resistance.

Dancing on Road Dancing on Road

Director: Lauren Gee

Year: 2024

Documenting and celebrating the Black British female roller-skating community, showcasing its long history and fixture within popular culture. Blurring the boundaries between documentary and music video, this experimental film reveals the expansive network of London’s Black skate scene through two key individuals that share their stories and delve into what this space and their skate crews and mentors provide them. This joyous exploration gives visibility to a subculture that to many outsiders is unknown but is made familiar through its nostalgic lens which pays homage to the sports DIY and music-led roots. Official Selection Trinidad and Tobago Film Festival 2025

A rescue dummy underwater, laying on the bottom of a swimming pool. Fantasies of a Rescue Dummy

Director: Adrian Maganza

Year: 2025

A rescue dummy gets forgotten at the bottom of a swimming pool. Behind his single expression, a whirlwind of emotions flood his plastic carcass as he fantasies about being picked up and brought to the surface in the strong and reassuring arms of a swimmer. Official Selection London Short Film Festival 2026