All Trace is Gone, No Clamour for a Kiss

Director: Chris Zhongtian Yuan

Year: 2023

Following the recent death of an artist friend L from home, who allegedly suffered from schizophrenia for more than 15 years, the artist talks to L through an imagined letter exchange, where they confront each other on notions of home, vulnerability, resistance, memory, and fraught relations.  Centering on an architectural model of the artist's childhood room, the film is entirely shot on super 8mm and accompanied by an immersive recording at the artist's home, as well as original music from London-based experimental group Langham Research Centre. The film draws from archival footage from journalistic report on May 1968, early artist filmmakers' home videos, as well as makes references to late 60s structural cinema that prioritises light and space, as an autonomous site for resistance.

Director: Brett Morgen

Year: 2027

An arena-scale cinematic experience built out of long-lost, remastered 35mm footage originally shot by British director David Hemmings. The film features previously unseen concert footage of David Bowie from his 1978 Isolar II World Tour, in support of his landmark 'Heroes' album. Using a three-screen presentation, transparent LED screens and large-scale projections, it is described as an “immersive and sound light experience”. Official Selection Berlin International Film Festival 2027 - World premiere

Director: Alice Panerai

Year: 2026

When drum & bass fan Jay is sent on a countryside walk by his probation officer as part of his mental health rehabilitation programme, he arms himself with headphones, good tunes and fluorescent snacks. But his iPod dies, and he can’t handle the silence. Visions of Pete, his deceased friend, begin to haunt him. Lost in the countryside, Jay eventually finds himself on a bus with a friendly driver, where a conversation about Pete forces him to confront the grief he has been avoiding.