Anak Where Did We Stay?
Synopsis
Details
- Year
- 2026
- Type of project
- Shorts
- Running time
- 16 mins
- Format
- Hi8
- Director
-
Sadia Pineda Hameed
- Principal cast
- Luisa Pineda Hameed
Categories
Production Status
Production Company
Sales Company
Page updates
This page was last updated on 11th September 2026. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Moving Sound
Director: Sadia Pineda Hameed
Year: 2025
MOVING SOUND is a speculative work set across 1980s and near-future Wales, shot on super 16mm. In the film, sounds of present day anti-colonial and anti-capitalist strategies for mining strikes are transmitted from Soundcamp streamboxes to the past via an underground, time travelling broadcast. In the 1980s, workers build DIY receivers from Moving Sound portable audio devices, which they use to distribute the broadcast around sites of production and the everyday. First screened in the King Coal Experience (an immersive recreation of the Big Pit underground mine) amidst disused mining machinery, MOVING SOUND blurs fictional 16mm and archival 8mm footage of sonic action to explore how organising converges and enacts across geographies, temporality, fantasy and reality.
Wales Visitation
Director: Sadia Pineda Hameed
Year: 2026
Retracing Allen Ginsberg’s 1967 ‘trip’ to the Llanthony Valley, Wales Visitation follows an attempt to channel the poet and document his route through enactments, alignments and apparitions. Using clues gleaned from Ginsberg’s poem of the same name, the film unfolds as a semiotic trail where the filmmaker’s encounters echo and accumulate. Handheld footage of tourists, sleeping horses, birdcalls and day/night cycles signpost a route as it begins to form. A diary, a dramatisation and a spiritual road movie, Wales Visitation traces not a fixed path, but the conditions under which something might be called back. Official Selection BFI London Film Festival 2026
No Archive Can Restore this Chorus of (Diasporic) Shame
Director: Onyeka Igwe
Year:
Through animated text, layered sound recordings and reimagined protest songs from the 1947 Egba Market women’s revolt, this immersive work creates a sonic redress to colonial narratives of Nigeria. Official selection BFI London Film Festival 2026