Moving Sound
Synopsis
Details
- Year
- 2025
- Type of project
- Shorts
- Running time
- 8 min 2 sec
- Format
- Super 16mm
- Director
-
Sadia Pineda Hameed
- Producer
- Sadia Pineda Hameed
- Editor
- Sadia Pineda Hameed
- Sound
- Sadia Pineda Hameed
- Principal cast
- Luisa Pineda Hameed
- 8mm
- Sam Baraitser Smith
- Camera Assistance
- Siôn Marshall-Waters, Kurt Riddle
- Lighting
- Rowan Holownia, Kurt Riddle
- Sound Recording
- Sophie Lindsey
- Colour Grading
- Kurt Riddle
Categories
Production Status
Production Company
Sales Company
Page updates
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See also
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Anak Where Did We Stay?
Director: Sadia Pineda Hameed
Year: 2026
ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).
Wales Visitation
Director: Sadia Pineda Hameed
Year: 2026
Retracing Allen Ginsberg’s 1967 ‘trip’ to the Llanthony Valley, Wales Visitation follows an attempt to channel the poet and document his route through enactments, alignments and apparitions. Using clues gleaned from Ginsberg’s poem of the same name, the film unfolds as a semiotic trail where the filmmaker’s encounters echo and accumulate. Handheld footage of tourists, sleeping horses, birdcalls and day/night cycles signpost a route as it begins to form. A diary, a dramatisation and a spiritual road movie, Wales Visitation traces not a fixed path, but the conditions under which something might be called back. Official Selection BFI London Film Festival 2026
No Archive Can Restore this Chorus of (Diasporic) Shame
Director: Onyeka Igwe
Year:
Through animated text, layered sound recordings and reimagined protest songs from the 1947 Egba Market women’s revolt, this immersive work creates a sonic redress to colonial narratives of Nigeria. Official selection BFI London Film Festival 2026