Project Detail

Because Goddess is Never Enough

Synopsis

Who was Tilly Losch? Dancer, artist, choreographer, lover, wife, muse… Tilly seems a blur, glimpsed at the corner of the eye, dancing in and out of focus. A powerful and thought-provoking statement about female identity.

Details

Year
2022
Type of project
Shorts
Running time
10 min
Format
Digital
Director
Jane Glennie
Screenwriter
Rosie Garland
Principal cast
Rosie Garland, Alison Glennie, Natasha Jervis

Production Status

Production Company

jane@janeglennie.co.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Letter - to anyone who is listening Letter - to anyone who is listening

Director: Jane Glennie

Year: 2019

How does one inhabit a world in which “the moon / & the drone hang in the same sky”? Doyali Islam’s poem 'letter' interrogates this question, offering no solutions. The work is saturated with longing – and charged by it.

Elegy for the Lost Elegy for the Lost

Director: William Hong-xiao Wei

Year: 2025

Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, all while confronting the personal cost of existing in a world that demands their silence.

How to Be a Ghost in Bangkok? How to Be a Ghost in Bangkok?

Director: Jing Zhao

Year: 2025

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless Southeast Asian ghost cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.