Because We Are Too Many

Director: Eve Leonard-Walsh

Year: 2027

A high energy, fast paced, tragic and comedic look, at a city changing beyond recognition. It's younger generation, fighting for self expression. Frank, a crooked businessman, runs; The Apollo. A venue in the heart of Glasgow, famous for the iconic bands it hosted. Supported by his cronies, mostly hoods and part time gangsters. Frank profits from the business but has no interest in its social significance. His 3 sons (all in their 20’s) are: Andy; training to be a priest, Mark; an ex-soldier, and Ian; Studying at University. Frank also has an illegitimate son called Beattie, who suffers from epilepsy. Each of the sons are very different and the film explores the character development of these young men over the space of 3 days and in the epilogue. Where the action jumps forward to 3 months later. The film incorporates live action (re-enactments) of gigs which took place at the time at the Apollo.

Director: Eve Leonard-Walsh

Year: 2027

Explosive family dynamics in the McGarvey clan, are mirrored in gritty 1979 Glasgow environments, in this high energy punk music feature film.

Director: Robyn Egan

Year: 2026

Wren is interviewed for a job at Brixham Fish Market. Gary shows her around and tells her to come back tomorrow, for the night shift. A few hours into the shift and Wren is flagging, she enjoys a moment of calm whilst smoking outside - until she is confronted with Cali, who wants a lighter and a chat. The next few nights, sleepless days and awkward interactions blur into each other until Cali greets Wren with a coffee and cigarette for the usual 2am slump. Wren is disgusted when realising Cali has spiked her coffee with brandy. Steph shows Wren how to fillet. Cali rushes to help, standing behind Wren, he places his hands on hers.Wren shrinks down, motionless, allowing Cali to puppeteer her, forcing his groin into her from behind. Wren empties her locker, she’s not coming back. She leaves, only to find Cali waiting for her, unbuckling his belt. Wren waits until his trousers are down, walks over to him, without breaking eye contact and guts Cali like a fish. She makes use of the “Monster Industrial Chum Grinder”, to dismember Cali’s body, discarding the chum into the sea at sunrise. She gracefully enters the sea herself, cleansed.