Being a Human Person

Director: Fred Scott

Year: 2020

Some filmmakers' style is so unique, they announce themselves in a scene: Lynch; Welles; Malick. And then there is Roy Andersson. A director whose visual storytelling can be encapsulated in a single frame. Because Roy, without hyperbole, is truly one of a kind. All his films take years to make. His crew builds every set; then films and destroys them. He uses only fixed shots with no close-ups or edits. He casts non-professional actors. Roy’s intricate in-camera trickery is meticulous to the point of madness. And each production is shot entirely in an unassuming townhouse below Roy’s apartment – Stockholm's legendary Studio 24. Roy’s contrarian methods have won garlands at the world's most prestigious festivals, and the adulation of visionaries like Darren Aronofsky and Alejandro G. Iñárritu. Now, at 76 years old, he is about to present his final work to the world. ABOUT ENDLESSNESS will mark the end of a major chapter in cinema. For when Roy stops making films, they will never be made this way again. Charting the arduous, unsettled arc of what Roy lovingly terms his “final effort”, BEING A HUMAN PERSON is a poignant and heartbreakingly honest portrait of a master storyteller calling time on his career.

Director: Daniel Cook

Year: 2027

An intimate documentary that captures the daily ongoings in the historical fishing village of Gardenstown. At the heart lie Juliet and Bubbles and their eclectic extended family and friends. This film will document their resilience, joy, and profound connection to community in a lyrical exploration of human experiences.

Director: Chris Vile

Year: 2026

Henry Moore beside a pebble. Barbara Hepworth next to broken china. No labels. No velvet ropes. No explanation. Art stripped of its usual deference and curatorial esperanto. Art revealing its true power. Art for all. ‘You want to look at how it is and marvel at the ordinariness of it and the extraordinariness of it all’ (Lubaina Himid) Kettle’s Yard is a small, humble home. Created by a couple, Jim & Helen Ede, who, with little money, became supporters and friends of many of the most important artists of the 20th Century. Jim survived the trenches of the First World War but despaired of a society that could allow such horrors. His is a quiet, very British, revolution that has a powerful resonance today. ‘These fragments that you find all around Kettle’s Yard, they’re almost an equivalent to the fragments of a bomb blast that he’s trying to capture and hold, he’s trying to stop this explosive force of horror and warfare and people fighting’ (Andrew Nairne) Antony Gormley, Edmund de Waal, Cornelia Parker, Ai Weiwei and others, passionately explain why this humble place is so important to them and why Jim’s radical ideas are vital for us today.