Being a Human Person

Director: Fred Scott

Year: 2020

Some filmmakers' style is so unique, they announce themselves in a scene: Lynch; Welles; Malick. And then there is Roy Andersson. A director whose visual storytelling can be encapsulated in a single frame. Because Roy, without hyperbole, is truly one of a kind. All his films take years to make. His crew builds every set; then films and destroys them. He uses only fixed shots with no close-ups or edits. He casts non-professional actors. Roy’s intricate in-camera trickery is meticulous to the point of madness. And each production is shot entirely in an unassuming townhouse below Roy’s apartment – Stockholm's legendary Studio 24. Roy’s contrarian methods have won garlands at the world's most prestigious festivals, and the adulation of visionaries like Darren Aronofsky and Alejandro G. Iñárritu. Now, at 76 years old, he is about to present his final work to the world. ABOUT ENDLESSNESS will mark the end of a major chapter in cinema. For when Roy stops making films, they will never be made this way again. Charting the arduous, unsettled arc of what Roy lovingly terms his “final effort”, BEING A HUMAN PERSON is a poignant and heartbreakingly honest portrait of a master storyteller calling time on his career.

Director: Cherish 'Chez' Oteka

Year: 2026

Reliving one of the first viral social media moments in rap culture, when a 17 year old female rapper’s life was turned upside down by admitting to having an orgy, FREE LYRIC explores the experience of online call out culture, gender and consent. With the rise of social media as the backdrop, this film explores the journey of a young woman named Niki who was cancelled before being cancelled was a thing, and how she survived a sex scandal. Official Selection Raindance Film Festival 2026 - World premiere

Director: Imoje Aikhoje

Year: 2025

A Black British activist and a former neo-Nazi sit face to face. In a tense encounter combining direct testimony with dramatic reconstruction, each man is forced to confront what brought him to this point: one radicalised by hate, one shaped by the movement that resists it. Chris Otokito and Nigel Bromage meet for the first time on camera. What unfolds is an unsparing examination of how far-right extremism takes root in Britain and whether dialogue across that divide is possible at all.