Betty - They Say I'm Different

Director: Phil Cox

Year: 2011

The secrets of Kolkata is revealed by overweight, dance-obsessed, intrepid detective Rajesh Ji. Mixing dance and hit songs with the harsh lives of clients, this originally styled feature documentary provides an entertaining yet poignant look at modern India through the prism of crime. What happens when a population loses trust in its police and authorities? There is a new phenomenon happening in India today - the boom of the private detective. Poisonings, adultery, fraud and the occasional murder - such are the day to day investigations of Kolkata's Bengali Detective - Rajesh Ji.   This film follows the intrepid detective and his motley band of helpers on raids and investigations as they enter the hidden lives of clients, victims and perpetrators. Yet on his off hours, Rajesh indulges his inner dance fanatic as he harbors a dream of becoming an international star - whilst trying to look after his desperately sick wife and small son.

Director: Alex Darby, George Leith, Sophie Mei Birkin

Year: 2026

Adlais (Echo) weaves Welsh language folklore and histories through their shared subjects of poetry and drowning – and asks whether we’re listening to the past as it surfaces today.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.