Project Detail

Black Biscuit

Synopsis

A film that follows the life and times of today's misfits and rascals. A spiritual journey into societies myths.
Chet is a freewheeling life model who begins working as a male escort in order to bring in some extra cash, as he concentrates on realizing his true dream of becoming a filmmaker. But his discipline and outlook on life begin to change, due to the new influences of his lifestyle, and the rewards and comforts of dirty money. He must face the question of choosing his destiny. Black Biscuit was created under the PINK8 manifesto - a new maverick way of creating raw, poetic, un-polished Punk Cinema. Shot on mobile phones and childrens cameras, and featuring an array of street superstars (homeless people, prostitutes, handicapped folk, and an ex child ping pong champion). The spirit of a generation gap has been defined like lightning in a bottle. Cinema will never be the same again.

Details

Year
2012
Type of project
Features
Running time
127 mins
Format
Digital
Director
Fabrizio Federico 1st Feature
Producer
Fabrizio Federico
Co-Producer
Fabrizio Federico
Executive Producer
Fabrizio Federico
Editor
Fabrizio Federico
Screenwriter
Fabrizio Federico
Director of Photography
Fabrizio Federico; Cinematographers: Jason Harts, Richard Howe, Alexander James Kelly, Paulo Martinho, Jason Mathis
Production Designer
Fabrizio Federico
Sound
Fabrizio Federico
Composer
Fabrizio Federico
Principal cast
Daniel Angelus, Victoria Howard, Fabrizio Federico,

Production Status

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Face, boy, eclipse A Season in Secret

Director: Matthew Berka

Year: 2027

A SEASON IN SECRET brings together material both close at hand and far away. It is a meditation on things glimpsed at a distance and the limits of perception. What lies behind the screen is hidden and may only be hinted at through the language of visible images and sounds. The film takes some of its cues from the Japanese aesthetic concept of Yūgen, described in part by the 15th-century aesthetician Zeami Motokiyo: “...to stand upon the shore and gaze after a boat that disappears behind distant islands.”

Gilbert Watikins as Robbie (younger) In my Beginning Is My End

Director: Ben O'Connor

Year: 2026

Robbie exists on the margins of society. He lives alone on a narrow boat in rural England with little means. He has found solace in isolation and a humble life. Unexpectedly he is contacted with the unwanted news of his estranged father’s death. This drags up emotions from the past that quickly become too much to bear… And so, the story begins… A journey back into his past. A journey on a motorcycle to find his mother. He drives, alone, through desolate landscapes, barren and mountainous, into the depths of his mind. A dream world where Robbie is forced to confront his past. Two stories emerge; memories from his childhood recurrently appear, fracturing the present where ex-lovers who have shaped his life confront him in surreal encounters. With time the two stories collide, past and present become one. The road leads in one direction, back to his childhood home and ultimately, his first and now final love; his mother. For where he began, he will now end and know himself for the first time.

Yellow Bucket - Connor (Harry Baxendale) watches TV Yellow Bucket

Director: Simon Brooke

Year: 2025

Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.