Celluloid Underground

Director: Ehsan Khoshbakht

Year: 2019

“Filmfarsi was the cinema of a nation with a split personality”, says filmmaker Ehsan Khoshbakht in this film-critical history of Iran under the Shah. Khoshbakht’s found-footage essay film salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution. These films defined Iranian cinema in the 1960s and '70s, when the industry shared an equal percentage of the market with the USA. Little more than VHS rips remain. Khoshbakht here uncovers that which was thought destroyed. A cinema of titillation, action and big emotions, which also presented a troubling mirror for the country, as Iran struggled to reconcile its religious traditions with the turbulence of modernity, and the influences of the West. The often cheap, sleazy and derivative films offer an insight into Iran’s psyche. Among the scratched reels, some keystones of Iran’s extraordinary film culture emerge, too: Gheysar, whose title design was done by a young Abbas Kiarostami; the work of director Samuel Khachikian, a progenitor of Iranian noir; and The Deer, a film which more than any other symbolises the historic violent turns in Iran’s recent past. Filmfarsi presaged a revolution, and it became one of its first victims. — Yusef Sayed

Director: Barnaby Thompson

Year: 2026

An in-depth study of David Lean, the man and his films. David Lean was one of the greatest filmmakers. He redefined what films could be, but his singular vision and tenacious determination to film the impossible earned him a reputation as an obsessive maverick. He was a master of his craft, capable of creating love and beauty on screen, but whose personal life was often troubled, uprooted, and painful. Featuring interviews with contemporary filmmakers including Wes Anderson, Paul Greengrass, Alfonso Cuarón, Celine Song, Brady Corbet, Francis Ford Coppola, Denis Villeneuve, Nia DaCosta, and Joe Wright. Official Selection Cannes Film Festival 2026 - Cannes Classics - World premiere

Director: Rich Felgate

Year: 2026

Told through the lives and motivations of those on the frontline, WE, THE HATED turns its camera on the people behind one of the most polarising protest movements in recent memory. What emerges goes deeper than placards and road blocks: these are individuals who have weighed up the personal consequences of action against the existential stakes of inaction. With fossil fuels driving both the climate crisis and global conflict, and governments increasingly cracking down on dissent, the film raises urgent questions about protest, power and what democracy actually means in practice. Director Rich Felgate, who is in a relationship with Just Stop Oil's founder, brings an insider closeness to the story whilst retaining enough balance to speak to audiences well beyond the already converted. Official Selection Sheffield DocFest 2026 - World premiere