Celluloid Underground

Director: Ehsan Khoshbakht

Year: 2019

“Filmfarsi was the cinema of a nation with a split personality”, says filmmaker Ehsan Khoshbakht in this film-critical history of Iran under the Shah. Khoshbakht’s found-footage essay film salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution. These films defined Iranian cinema in the 1960s and '70s, when the industry shared an equal percentage of the market with the USA. Little more than VHS rips remain. Khoshbakht here uncovers that which was thought destroyed. A cinema of titillation, action and big emotions, which also presented a troubling mirror for the country, as Iran struggled to reconcile its religious traditions with the turbulence of modernity, and the influences of the West. The often cheap, sleazy and derivative films offer an insight into Iran’s psyche. Among the scratched reels, some keystones of Iran’s extraordinary film culture emerge, too: Gheysar, whose title design was done by a young Abbas Kiarostami; the work of director Samuel Khachikian, a progenitor of Iranian noir; and The Deer, a film which more than any other symbolises the historic violent turns in Iran’s recent past. Filmfarsi presaged a revolution, and it became one of its first victims. — Yusef Sayed

Director: Fionnuala McCormack

Year: 2026

An intimate portrait of a women's group in Belfast, Northern Ireland. The documentary follows the women as they collaboratively create a stage production. Through writing sessions, rehearsals, and candid conversations, the women craft a performance rooted in their lived experiences - stories shaped by addiction, family fracture, and encounters with the justice system. The documentary follows the evolving group dynamic, capturing moments of vulnerability, frustration, and unexpected humour as the women negotiate what it means to share such personal stories in a public space for the first time.

Director: Rob Curry, Tim Plester

Year: 2026

In a battle against time and technology, can Britain's greatest living folklorist find a home for his vast archive of irreplaceable audiovisual material?