Celluloid Underground

Director: Ehsan Khoshbakht

Year: 2019

“Filmfarsi was the cinema of a nation with a split personality”, says filmmaker Ehsan Khoshbakht in this film-critical history of Iran under the Shah. Khoshbakht’s found-footage essay film salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution. These films defined Iranian cinema in the 1960s and '70s, when the industry shared an equal percentage of the market with the USA. Little more than VHS rips remain. Khoshbakht here uncovers that which was thought destroyed. A cinema of titillation, action and big emotions, which also presented a troubling mirror for the country, as Iran struggled to reconcile its religious traditions with the turbulence of modernity, and the influences of the West. The often cheap, sleazy and derivative films offer an insight into Iran’s psyche. Among the scratched reels, some keystones of Iran’s extraordinary film culture emerge, too: Gheysar, whose title design was done by a young Abbas Kiarostami; the work of director Samuel Khachikian, a progenitor of Iranian noir; and The Deer, a film which more than any other symbolises the historic violent turns in Iran’s recent past. Filmfarsi presaged a revolution, and it became one of its first victims. — Yusef Sayed

Director: Janire Najera and Matt Wright

Year: 2025

A fulldome dance film set amidst the rich and varied landscapes of Zimbabwe, where performers express the tension, resilience and interconnectedness between people and the natural world under the pressures of climate change. With their movements, the dancers explore the consequences of environmental disruption and the profound ways in which people and nature are intertwined. Through abstract choreography, symbolic imagery and an atmospheric score, the work reflects the planet’s vulnerability, the challenges posed by environmental shifts and the transformative potential of collective effort. As the dancers navigate these ever-changing locations, their movements evoke the escalating consequences of a warming world, capturing both its fragility and the urgent call for action.

Director: Callum McCulloch-Nowlan

Year: 2026

Rob Beaton has been weaving tartan and tweed in the Scottish Borders since he was 14. Now 84, he is Scotland's oldest and longest-serving mill worker, operating 100-year-old traditional shuttle looms. With no apprentice to carry on his craft, the mill where he has worked for over four decades may soon be forced to close. But elsewhere in Scotland, a different story is unfolding. At another mill in Highland Perthshire, a young apprentice is learning the trade, and the ancient rhythms of the looms are being passed to a new generation. Once, Scotland's textile industry employed nearly 75% of the population. Today, that figure stands at just 0.2%. Against the backdrop of that decline, the stories of these two mills paint a portrait of an industry at a crossroads. Through his film, Callum McCulloch-Nowlan celebrates the workers, machines, and spaces of Scotland's weaving tradition, while exploring the urgency of preserving a disappearing craft.