Church Street
Synopsis
The key question in the movie and even the root of the movie lies in the character Annabelle's line: "There are people who get punched for money, they are called boxers, it’s even a sport. Better I get fu*cked for money."
I think sex is far more natural than violence and yet we glorify violence and shun sexual desire. This story is our way of opening that conversation.
(Mbeng Ngassa, Nkanya Nkwai)
Details
- Year
- 2019
- Type of project
- Shorts
- Running time
- 22 min
- Format
- Digital
- Director
-
Mbeng Ngassa, Nkanya Nkwai
- Producer
- Mbeng Ngassa
- Executive Producer
- Mbeng Ngassa
- Editor
- Mbeng NGassa
- Screenwriter
- Mbeng Ngassa
- Director of Photography
- Mbeng Ngassa
- Production Designer
- Queen Nzefeh, Brian Atemkeng
- Sound
- Lucien
- Composer
- Deecy 'Musiic'
- Principal cast
- Laura Onyama, Nabil Fongod
Genre
Categories
Production Status
Production Company
Mbeng Ngassa
Sales Company
Mbeng Ngassa
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
No Women No Children
Director: Akporé Uzoh
Year: 2026
The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.
Elegy for the Lost
Director: William Hong-xiao Wei
Year: 2025
Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, all while confronting the personal cost of existing in a world that demands their silence.
Moonman 158
Director: Tom Young
Year: 2025
Markus, a young man adrift after his father’s death, finds purpose in an underground graffiti partnership with his friend Sean. Their bold, politically charged street art goes viral, drawing the attention of the media, the police, and a calculating art dealer who sees profit in their rebellion. As their fame grows, so does the tension between integrity and exploitation, authenticity and corruption.