Cinema Museum

Director: Mark Lewis

Year: 2015

Shot in Paris, São Paulo and Toronto, acclaimed Canadian contemporary artist Mark Lewis’ essay film captures the ever-changing textures of these cities through moving images of glass, light, shadows and reflections. Offering an homage to the city symphony films of the 1920s, whilst juxtaposing modernist architecture with the compositional structures of old master paintings.<br /> Toronto International Film Festival 2015 - World premiere

Director: Mark Lewis

Year: 2010

Almost everyone has watched a movie in which a person, viewed straight on through the windshield, alone or with passengers, drives a car for some distance. The memorable thing about the scene is that the driver seems to have almost no physical relationship to the vehicle and barely seems to be making any effort to operate it. It is no secret to anyone that what we are watching is a composite scene in which the exterior has been photographed previously and then projected behind the set-up in which the performers have been filmed.<br /> <br /> Mark Lewis has been fascinated by the technique of back projecting for years and has used it with startling and unusual effects in his work. In Backstory, Lewis invited the Hansard family, which has been instrumental in the provision and development of rear projection for hundreds of Hollywood productions over several decades, to tell (with humour and straight-laced directness) their own story of the heyday of the techniques and their decline and disappearance as they are replaced by new technologies and new tastes in visibility.

Director: Philip James McGoldrick

Year: 2025

An emotionally charged sports drama following Grazyna "The Tramp" Jarzynowska, a British-Polish MMA fighter whose meteoric rise is abruptly halted by an unexpected pregnancy.