Invention
Synopsis
Toronto International Film Festival 2015 - World premiere
Details
- Year
- 2015
- Type of film
- Features
- Running time
- 80 mins
- Director
-
Mark Lewis
- Producer
- Eve Gabereau, Gerry Flahive, Anita Lee
- Executive Producer
- Anita Lee
- Editor
- Andrew Hulme
- Director of Photography
- Bobby Shore, Martin Testar
Genre
Categories
Production Status
Production Company
UK, Canada coproduction
Soda Film + Art (UK), Mark Lewis Studio (CA), National Film Board of Canada (CA)
Soda Film + Art
c/o Soda Pictures17 Blossom Street
London
E1 6PL
Sales Company
National Film Board of Canada
Chanelle Routhier3155 Côte de Liesse Road
Montreal H4N 2N4
Quebec
Canada
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Director: Mark Lewis
Year: 2010
Cinema Museum comprises four nine minute shots of a tour guide leading us around the labyrinthine corridors of a vast private collection of movie ephemera. The guide’s soft, measured voice soothes the ear while our eyes gawp at a teeming archive verging on chaos. <br /> <br /> The camera sets out with the stealth of a Stanley Kubrick Steadicam shot, but it soon begins to drift. As the guide walks ahead, the camera lingers over drawers marked ‘Gulag Guns’, boxes of fanzine clippings, spare parts for projectors and bits of Art Deco signage.

Director: Mark Lewis
Year: 2010
Almost everyone has watched a movie in which a person, viewed straight on through the windshield, alone or with passengers, drives a car for some distance. The memorable thing about the scene is that the driver seems to have almost no physical relationship to the vehicle and barely seems to be making any effort to operate it. It is no secret to anyone that what we are watching is a composite scene in which the exterior has been photographed previously and then projected behind the set-up in which the performers have been filmed.<br /> <br /> Mark Lewis has been fascinated by the technique of back projecting for years and has used it with startling and unusual effects in his work. In Backstory, Lewis invited the Hansard family, which has been instrumental in the provision and development of rear projection for hundreds of Hollywood productions over several decades, to tell (with humour and straight-laced directness) their own story of the heyday of the techniques and their decline and disappearance as they are replaced by new technologies and new tastes in visibility.

Director: Victoria Davis
Year: 2025
A tribute to British-French-Polish avant-garde artists Franciszka Themerson and Stefan Themerson.<br /> The director revisits the work of the Themersons, some 15 years after TRACES, her previous film about the couple - collecting new memories and featuring contributions from Michael Horowitz, Barbara Right, Nick Wadley.