Project Detail

Collision Index

Synopsis

The eccentric collection of the McManus museum in Dundee is reorganised into a new analogical composition that tests new and unexpected relationships between things.
Official Selection BFI London Film Festival 2018 - Experimenta Strand - World premiere

Details

Year
2018
Type of project
Shorts
Running time
14 mins 40 secs
Format
HD
Director
Duncan Marquiss
Editor
Duncan Marquiss
Director of Photography
Duncan Marquiss
Sound
Duncan Marquiss
Composer
Duncan Marquiss

Production Status

Production Company

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See also

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Evolutionary Jerks and Gradualist Creeps Evolutionary Jerks and Gradualist Creeps

Director: Duncan Marquiss

Year: 2016

Two evolutionary biologists, Niles Eldredge and Armand Marie Leroi consider the analogies and differences between the cultural and the biological realms, comparing the history of life within the fossil record with the evolution of pop music. Marquiss draws on Eldredge’s pattern of evolution as a cue for image-making processes and editing structures to transpose scientific enquiry into cultural production. Official Selection BFI London Film Festival 2016 - Experimenta Strand

Search Film Search Film

Director: Duncan Marquiss

Year: 2015

Considering innate human foraging behaviour by comparing a biologist’s field study of goshawks with searching in other contexts. The project developed from conversations between the artist Duncan Marquiss and his father, biologist Dr. Mick Marquiss. Official Selection BFI London Film Festival 2015 - Experimenta Strand - World premiere

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry Loss.y

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026