Collision Index
Synopsis
Official Selection BFI London Film Festival 2018 - Experimenta Strand - World premiere
Details
- Year
- 2018
- Type of film
- Shorts
- Running time
- 14 mins 40 secs
- Format
- HD
- Director
-
Duncan Marquiss
- Editor
- Duncan Marquiss
- Director of Photography
- Duncan Marquiss
- Sound
- Duncan Marquiss
- Music
- Duncan Marquiss
Genre
Categories
Production Status
Production Company
Duncan Marquiss
Page updates
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See also
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Director: Duncan Marquiss
Year: 2016
Two evolutionary biologists, Niles Eldredge and Armand Marie Leroi consider the analogies and differences between the cultural and the biological realms, comparing the history of life within the fossil record with the evolution of pop music. Marquiss draws on Eldredge’s pattern of evolution as a cue for image-making processes and editing structures to transpose scientific enquiry into cultural production.<br /> Official Selection BFI London Film Festival 2016 - Experimenta Strand

Director: Duncan Marquiss
Year: 2015
Considering innate human foraging behaviour by comparing a biologist’s field study of goshawks with searching in other contexts. <br /> The project developed from conversations between the artist Duncan Marquiss and his father, biologist Dr. Mick Marquiss.<br /> Official Selection BFI London Film Festival 2015 - Experimenta Strand - World premiere

Director: Anthea Kennedy, Ian Wiblin
Year: 2025
A poetic memoir and political report, shot in Berlin and Leipzig, and in landscapes around the British Isles. The film’s narrative builds out from the events of the Reichstag Fire in Berlin in 1933 in which the pioneering German-Jewish sound recordist, Ludwig Koch, on whom the film ultimately centres, plays a minor role, placing him and his family in danger. The film is structured in two parts, juxtaposing Koch’s persecution in Nazi Germany with his experiences as a refugee recording bird song and other sounds in Britain. <br /> The film’s images of contemporary urban and rural terrains, and of objects and documents, create a collision between past and present. Shifts in time are further emphasised through the use of Koch’s original sound recordings from Germany and Britain which feature throughout the film.