Project Detail

Loss.y

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry
A women with headphone looking closely at a 3d printed sculpture of a female duet displayed in a vitrine srrounded by projections of a digital image of the photograpmetry of the duet
A close up of a 3d printed sculpture of a female duet displayed in a vitrine in front of a projection of a digital image of the photograpmetry of the duet

Synopsis

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move.
loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital.
On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world.
Official Selection SXSW 2026

Details

Year
2026
Type of project
XR / Immersive
Running time
5 min
Format
Triptych video and spatial audio installation
Director
Lisa Jamhoury
Producer
Lisa Jamhoury Studio
Executive Producer
Maia Sauer
Sound
Matt McCorkle
Spatial Audio Partner
Clémence Debaig, Unwired Dance Theatre
Choreography and Performance
Hybrid Movement Company, Françoise Voranger, Andrea Nikki Ortiz
Dramaturg / Voice
Emily Reilly
Unreal Engine Development, Visual Effects
Lisa Jamhoury, Matt Romein, Sneha Belkhale
3D Modeling, Photogrammetry
NYCAP3D, Woraya Boonyapanachoti, Guðjón Örn Lárusson, Lisa Jamhoury, Huascar Acosta, Neil Jakeman
Motion Capture Technician, Animation, Poetry
Lisa Jamhoury
Technical Production
Lisa Jamhoury, Dan Ribaudo, Astro Lee
Trailer Edit
Mathys Ideas

Production Status

Production Company

Lisa Jamhoury Studio

Lisa Jamhoury

Sales Company

Lisa Jamhoury Studio

Kiron Heriot-Darragh

Page updates

This page was last updated on 6th May 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Face, boy, eclipse A Season in Secret

Director: Matthew Berka

Year: 2027

A SEASON IN SECRET brings together material both close at hand and far away. It is a meditation on things glimpsed at a distance and the limits of perception. What lies behind the screen is hidden and may only be hinted at through the language of visible images and sounds. The film takes some of its cues from the Japanese aesthetic concept of Yūgen, described in part by the 15th-century aesthetician Zeami Motokiyo: “...to stand upon the shore and gaze after a boat that disappears behind distant islands.”

Fevers Fevers

Director: James Richards

Year: 2026

Taking as his starting point - less by way of invocation than summoning - the text from Marguerite Duras’ 'Les Mains négatives' and Tony Conrad’s 'The Flicker', James Richards weaves together stirring fragments composed from 2022-2026, including repurposed material from friends and collaborators including Steve Reinke. The screen is filled with images and impressions, depicting a frantic yet melancholic quest for meaning between language, gesture, and sensation. Official Selection Toronto International Film Festival 2026 - World premiere

Close-up of white-gloved hands holding a small, weathered bronze Roman artefact with a green patina, captured on grainy 16mm film. A Spirit, a Deity, a Barbarian? Captive in the Subterranean

Director: Hannan Jones

Year: 2025

In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.