Project Detail

Loss.y

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry
A women with headphone looking closely at a 3d printed sculpture of a female duet displayed in a vitrine srrounded by projections of a digital image of the photograpmetry of the duet
A close up of a 3d printed sculpture of a female duet displayed in a vitrine in front of a projection of a digital image of the photograpmetry of the duet

Synopsis

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move.
loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital.
On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world.
Official Selection SXSW 2026

Details

Year
2026
Type of project
XR / Immersive
Running time
5 min
Format
Triptych video and spatial audio installation
Director
Lisa Jamhoury
Producer
Lisa Jamhoury Studio
Executive Producer
Maia Sauer
Sound
Matt McCorkle
Spatial Audio Partner
Clémence Debaig, Unwired Dance Theatre
Choreography and Performance
Hybrid Movement Company, Françoise Voranger, Andrea Nikki Ortiz
Dramaturg / Voice
Emily Reilly
Unreal Engine Development, Visual Effects
Lisa Jamhoury, Matt Romein, Sneha Belkhale
3D Modeling, Photogrammetry
NYCAP3D, Woraya Boonyapanachoti, Guðjón Örn Lárusson, Lisa Jamhoury, Huascar Acosta, Neil Jakeman
Motion Capture Technician, Animation, Poetry
Lisa Jamhoury
Technical Production
Lisa Jamhoury, Dan Ribaudo, Astro Lee
Trailer Edit
Mathys Ideas

Production Status

Production Company

Lisa Jamhoury Studio

Lisa Jamhoury

Sales Company

Lisa Jamhoury Studio

Kiron Heriot-Darragh

Page updates

This page was last updated on 6th May 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

An Immersive Theatre / XR image of a courtroom with large television amongst a wraparound screen with scenes of humanity GAWD v. The People

Director: Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson

Year: 2026

In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere

Calling You Calling You

Director: Daniel Howard-Baker

Year: 2026

After a middle-aged father falls mysteriously into a coma that transports him to an idealised version of his past, his daughter must do all things necessary to rescue him from an eternal trap.

A super 8 image of a christmas tree. Text says "Would have been great if my tree didn't have any branches.' - Ed about a Christmas tree bag. Three Stars

Director: Anouk Witkowska Hiffler

Year: 2026

Three star reviews are tricky. Some people think they're good and some think they're bad. So they really can go either way.