Colours of the Alphabet

Director: Alastair Cole

Year: 2021

The first feature documentary entirely in Scottish Gaelic, IORRAM (BOAT SONG) is an immersive and poetic portrait of life in the Outer Hebrides, as the islands and the language face an uncertain future. Archive sound recordings of ghostly voices, stories and songs from the last century are mixed with stunning footage of daily life in the islands today, on land and sea, to create a lyrical and playful dialogue between past and present, and between sound and vision, set to an original score composed and performed by award-winning folk musician Aidan O’Rourke. IORRAM began as an experiment to make a cinematic film entirely composed from archive sound and contemporary moving images. The sound archive at the heart of this project contains over 30,000 pieces of previously untranslated and largely unheard Scottish Gaelic recordings, representing a treasure trove of cultural history and memories which deserve to be heard. Making documentaries from archive film footage is a long established practice, but there are also vast riches in sound archives around the world, which are gradually being digitized and restored, and represent a valuable resource for filmmakers interested to explore the relationship between past and present, and between the ears and the eyes. If cinema has historically prioritized vision over sound, IORRAM marks an ambitious effort to redress the balance, and provide audiences with a new and deeply satisfying kind of cinematic experience.

Director: Barnaby Thompson

Year: 2026

An in-depth study of David Lean, the man and his films. David Lean was one of the greatest filmmakers. He redefined what films could be, but his singular vision and tenacious determination to film the impossible earned him a reputation as an obsessive maverick. He was a master of his craft, capable of creating love and beauty on screen, but whose personal life was often troubled, uprooted, and painful. Featuring interviews with contemporary filmmakers including Wes Anderson, Paul Greengrass, Alfonso Cuarón, Celine Song, Brady Corbet, Francis Ford Coppola, Denis Villeneuve, Nia DaCosta, and Joe Wright. Official Selection Cannes Film Festival 2026 - Cannes Classics - World premiere

Director: Rich Felgate

Year: 2026

Told through the lives and motivations of those on the frontline, WE, THE HATED turns its camera on the people behind one of the most polarising protest movements in recent memory. What emerges goes deeper than placards and road blocks: these are individuals who have weighed up the personal consequences of action against the existential stakes of inaction. With fossil fuels driving both the climate crisis and global conflict, and governments increasingly cracking down on dissent, the film raises urgent questions about protest, power and what democracy actually means in practice. Director Rich Felgate, who is in a relationship with Just Stop Oil's founder, brings an insider closeness to the story whilst retaining enough balance to speak to audiences well beyond the already converted. Official Selection Sheffield DocFest 2026 - World premiere