Concrete Forms of Resistance

Director: Nick Jordan

Year: 2025

Centred on sphagnum moss, TRANSLOCATIONS highlights the mutual aid and reciprocal exchange that exists between species in the restoration of a lowland peatbog. Featuring the voice of botanist and author Robin Wall Kimmerer, and a tactile soundtrack score, the film documents the human and more-than-human life, energies and actions that are transforming an intensively farmed and damaged terrestrial environment back into a flourishing wetland habitat. The film is structured around volunteers moving ('translocating') gathered balls of sphagnum moss from replete to deplete areas of the bog, enabling a keystone species in peat formation and carbon sequestration to thrive and rejuvenate a vital part of the biosphere. Exploring the luminous and vivid characteristics of this rewilded, transitional terrain, the film depicts the abundance of re-introduced sphagnum moss and the dynamic mosaic of co-dependent species that are now thriving both above and below the surface of the bog, from flowering cotton grasses and carnivorous sundews to dragonflies and silk-moths.

Director: Nick Jordan

Year: 2023

Exploring the multifaceted interrelationships between trees and fungi within forest ecologies. Featuring the voice of ecologist Suzanne Simard, and her ground-breaking research into tree and fungal communities, the documentary reflects on the ‘biological neural network’ of forest ecosystems, and how the reciprocal, shared behaviour of mycelium and trees creates a resilient and healthy community of co-dependent species. Official Selection CPH:DOX 2023

Director: Nick Jordan

Year: 2017

A film about psychosis and surveillance. A composite of fact and fiction, the film draws upon real-life accounts of a schizophrenic disorder: the belief that ones thoughts are being transmitted and heard by others. Set against the proliferation of mobile phone masts in the urban and rural landscape, the film reveals a fragmented inner world of paranoid delusions and acute anxiety, off-set by revelations of mass surveillance and data gathering by government security agencies. Filming locations include a psychiatric video recording studio, an abandoned broadcast television station and a military base used for mass communications monitoring and interception. Part clinical observation, part psychological horror, the film is driven by a tense and dark electronic score by Lord Mongo, and interweaves the flickering detritus of analogue tape, monitors and studio cameras with layers of sampled archive voices; forming a picture of a psychotic state of mind, entangled in an interconnected world. Official Selection Clermont-Ferrand International Short Film Festival 2017 - World premiere