The Entangled Forest

Director: Nick Jordan

Year: 2019

Filmed in Tripoli, Lebanon, Concrete Forms of Resistance is a documentary centred upon the city’s abandoned ‘Permanent International Fair’, designed by Brazilian architect Oscar Niemeyer in the mid-1960s. Progress and crisis, labour and capital, material and memory, are reflected through a very intelligent rhyme between image and sound. The touching voice and words of Niemeyer as a call for life, and the beautiful camerawork as a weaving of ghosts in the present landscapes.

Director: Nick Jordan

Year: 2017

A film about psychosis and surveillance. A composite of fact and fiction, the film draws upon real-life accounts of a schizophrenic disorder: the belief that ones thoughts are being transmitted and heard by others. Set against the proliferation of mobile phone masts in the urban and rural landscape, the film reveals a fragmented inner world of paranoid delusions and acute anxiety, off-set by revelations of mass surveillance and data gathering by government security agencies. Filming locations include a psychiatric video recording studio, an abandoned broadcast television station and a military base used for mass communications monitoring and interception.<br /> Part clinical observation, part psychological horror, the film is driven by a tense and dark electronic score by Lord Mongo, and interweaves the flickering detritus of analogue tape, monitors and studio cameras with layers of sampled archive voices; forming a picture of a psychotic state of mind, entangled in an interconnected world.<br /> Official Selection Clermont-Ferrand International Short Film Festival 2017 - World premiere

Director: Nick Jordan

Year: 2018

A figure conjures a remedy from jars of spider webs and beeswax, while studying the pages of ‘Micrographia’ (Robert Hook, 1665); the first book to illustrate insects and plants as observed through the lens of a microscope.<br /> <br /> Commissioned by Folklore Tapes for collaborative project ‘The Art of Magic: re-scoring and restoring objectless index cards from the Museum of Witchcraft’.