Project Detail

Cuffed

Cuffed

Synopsis

A gripping suspense-filled drama thriller with an unexpected twist. The story follows two young black men, Lucas and Wayne, as they navigate a series of mysterious events in the streets of Manchester.
The film opens with Lucas and Wayne dressed in black, loading suspicious packages into a van and speeding through the dark streets. The audience is immediately drawn into the intrigue, left wondering about the men's identities and their urgent mission. As they race through Central Manchester, they encounter a police roadblock, turning their journey into a tense standoff. With high stakes on the line, they manage to
negotiate their way out of trouble, but the pressure only mounts as they continue towards their undisclosed destination.
Amidst the adrenaline-fueled journey, the film delves into themes of brotherhood, loyalty, and the weight of responsibility. Lucas grapples with doubts and apprehensions, while Wayne offers unwavering support, their bond strengthening with each passing moment.
As they reach their destination, the true purpose of their mission is revealed when an unexpected twist sheds light on the significance of their delivery and the deeper layers of the narrative.

Details

Year
2026
Type of project
Shorts
Director
Kuba Glodi
Producer
Joe Vickers
Co-Producer
Amelia Ellis
Executive Producer
Sarah Drummond
Editor
Aarif Laljee
Director of Photography
Fabio Mota
Sound
Craig Rihoy, Jake McKenzie-Hayes
Composer
George Ovens
Principal cast
Morgan Bailey, Ama Emerald Bains, Andreas Bianga, Raheem Daniels, Kuba Glodi, Tee Hussain, Aqib Khan, David Kuba Kuba, Sam Mia, Nick Pearse, Jason Lamar Ricketts, Tom Robinson, Brandon Zibaka

Genre

Categories

Production Status

Production Company

Supported by BFI NETWORK

Page updates

This page was last updated on 30th July 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Bandit Michele Di Gè, as an old man reflecting on his outlaw life. Diary of a Bandit (Diario di un brigante)

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Man wearing shirt exhausted on a blue coloured lounger, in a warm country. Sun umbrellas, pool and palm trees out of focus in the background. The sunlight hits him from the left-hand side. Your Sweet Home

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.

Woman leans against an opaque panelled door. Split Ends

Director: Grace Cassidy, Laura Hafes

Year: 2025

Inside this film’s carefully constructed dollhouse aesthetic lies a sinister moral, directly inspired by Victorian fables designed to scare children into obedience. A wistful, near-elegiac poem of a script, by writer/director duo Laura Hafes and Grace Cassidy, gives lyrical form to a narrated daydream that turns into nightmarish reality. Movement Director Araminta Wraith’s adept puppetry breathes life into a Medusa-like wig that overpowers its master. Each perfectly lit frame of Scarlett Gardner’s cinematography plays to the text’s theatrical nature, from a tracking shot through a hair-curtain opener to a final battle rendered in shadow and silhouette behind frosted glass. Official Selection, Uppsala Short Film Festival 2026