Project Detail

Dédé (Ancestor)

Dédé (Ancestor)

Synopsis

An animated exploration of diasporic female identity, inspired by the director’s Bété ancestry in central Ivory Coast.
Blending abstract storytelling with rich spiritual iconography, the film delves into feminine cosmology, folklore, and traditional artistry. Featuring copper motifs and intricate relief engravings, DÉDÉ reimagines West African sculptures through animation, bringing mythological deities, fertility carvings, and tribal masks to life in a visually striking journey.
Official Selection Annecy International Animation Festival 2025

Details

Year
2025
Type of project
Shorts
Running time
3 min 8 sec
Format
Frame by Frame animation
Director
Yasmine Djedje-Fisher-Azoume
Producer
Yasmine Djedje-Fisher-Azoume
Screenwriter
Yasmine Tara Opre Djedje-Fisher-Azoume
Sound
Alex Adetiba
Composer
Alex Adetiba

Production Status

Production Company

Yasmine Djedje-Fisher-Azoume

9 Mayfield Road
London
SW19 3NF

Page updates

This page was last updated on 20th January 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A small, cute, orange blob character is sat in a simple flat pink environment, looking at the viewer. Above them is a text box, floating Poob

Director: AJ Jefferies

Year: 2026

POOB is ready to LEARN and have FUN! An exploration into control, detachment and agency in an abusive relationship.

A dog in a crudely made fox costume is sat being fed by a yellow marigold glove on the end of a wooden pole. A Skulk in London

Director: Polina Chizhova, James Stephen Wright

Year: 2018

The work “A Skulk in London” explores the human projections onto animal life from a satirical perspective. Its aim is research the life of urban foxes amid the Anthropocene environment of central London and the mythologies surrounding them to highlight the human tendency of understanding and perpetually interpreting the natural world limited by the point of view of “man”. The main character is a city man who becomes fascinated with finding nature in the city and is following urban foxes to fulfil his dream of wilderness. The character lives in a world of fantasy and does not consider the perspective and agency of urban wildlife. His obsession is so blinding and absorbing that he doesn’t realise that the fox he finds is, in fact, a dog in a costume.

I Only Do Real Things I Only Do Real Things

Director: James Stephen Wright, George Finlay Ramsay

Year: 2020

Following the threefold journey of a rock through distinct layers of reality. June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? With narration from the rock in its mother tongue (usefully subtitled), it plays in the parallel mirror-image universe as hypothesised by a prophetic laminitic Shetland Pony based in Perthshire. Like a stoney Virgil, the rock guides us through its attempts to do only the realest of things.