Project Detail

Dust and Metal

Synopsis

DUST & METAL (CAT BUI & KIM LOAI) brings together for the first time a live cinema documentary featuring past and present stories of freedom in Vietnam. With a population of 97 million, and 45 million registered motorbikes (the highest in South East Asia) that’s almost one bike for every two people. The urban roads and ‘hem’ alleys are only accessible by two-wheels. These roads are awash with the transportation of goods of all types and sizes on the back of motorbikes, including washing machines, entire families, and chickens. The sounds of engines and horns create a symphony of Vietnamese life. In a unique partnership with the Vietnam Film Institute, archive film is edited alongside contemporary footage and a live score composed/performed by Vietnamese artist Xo Xinh.
Official Selection Sheffield DocFest 2022 - Rhythms - World premiere

Details

Year
2022
Type of film
Features
Running time
82 min
Format
Mixed: Digitised archive film from various film formats; 4K; HD
Director
Esther Johnson
Producer
Lisa Brook, Esther Johnson
Executive Producer
British Council
Editor
Esther Johnson
Screenwriter
Esther Johnson
Director of Photography
TPD, Esther Johnson, Cory Holodnyj
Sound
Nhung Nguyen
Music
Xo Xinh

Production Status

Production Company

Lisa Brook

Live Cinema UK
77 Birkby Hall Road
Huddersfield HD2 2TN

Sales Company

Lisa Brook

Live Cinema UK
77 Birkby Hall Road
Huddersfield HD2 2TN

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Asunder Asunder

Director: Esther Johnson

Year: 2016

The story of what happened to an English town during World War One with almost all of its men fighting abroad and its women and children left behind. The North East was in the front line, thanks to its shipyards and munitions factories.<br /> Using archive and contemporary footage and audio, this film collages the stories of people from Tyneside and Wearside to uncover just what life was like on the home front, with bombs falling on Britain for the first time, conscientious objectors sentenced to death, and women working as doctors, tram conductors and footballers. The narrative moves from an Edwardian golden era, in which sport grew in popularity and aircraft and cars pointed to a bright new future, to a war that horrifically reversed this progress. In the Battle of the Somme, British, French and German armies fought one of the most traumatic battles in military history. Over the course of just four months, more than one million soldiers were captured, wounded or killed in a confrontation of unimaginable horror.

The View From My Window Tells Me I’m Home The View From My Window Tells Me I’m Home

Director: Esther Johnson

Year: 2012

An observation, investigation and social record of the lives and thoughts of ten residents of the Golden Lane Estate, London. Built in the late 1950s by Chamberlin, Powell and Bon, the Golden Lane estate exemplifies an utopian ideal of social housing. This film documents the life of the complex over half a century since its construction and asks questions about domestic and private space and of making a home in such an iconic and distinctive architectural environment.

Analogue Kingdom Analogue Kingdom

Director: Esther Johnson

Year: 2010

Gerald Wells stole his first radio, a Belmont, in 1943 at the age of thirteen. He was immediately sent to an approved school, whose psychiatrist diagnosed an obsession with wireless and electricity, an obsession that continues today. <br /> <br /> The house Wells was born in and still inhabits is now home to over 1,500 wireless objects and 45,000 valves. Analogue Kingdom is a poetic portrait of Wells, founder and curator of the British Vintage Wireless and Television Museum. It reveals the charm of Wells' world, where radio relics and their attendant stories fill every nook and cranny.