EMR
Synopsis
Details
- Year
- 2005
- Type of project
- Features
- Running time
- 87 mins
- Format
- HiDef
- Director
-
James Erskine, Danny McCullough
- Producer
- Angad Paul, Mark Folignio
- Co-Producer
- Angad Paul, Mark Folignio
- Editor
- Steve Parkinson, Robin Peters, Ian Davies
- Screenwriter
- James Erskine, Danny McCullough
- Director of Photography
- John Halliday
- Sound
- James Snowden, Todd Yeager
- Composer
- Stuart Hancock
- Principal cast
- Adam Leese, Whitney Cummings, Guy Henry, George Calil, Tom Hardy, Jemma Walker, Ross McCall, Kate Buffery
Categories
Production Status
Production Company
Cottonopolis Films Limited
34 Fouberts PlaceLondon W1F 7PX
UK
T+44 (0)20 7221 4953
Sales Company
AV Pictures
Caparo House103 Baker Street
2nd Floor
London W1U 6LN
UK
T +44 (0)20 7467 5012
Page updates
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See also
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The Invitation
Director: James Erskine, Danny McCullough
Year: 2002
A young couple (William & Zeze) embark on a trip to the country to meet with Willie's long estranged college sweetheart, Sarah. On their arrival they discover quite a different Sarah to her college days.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.