Fire

Director: Lucy Parker

Year: 2019

Exploring the secretive methods used against UK activists and trade unionists. Blacklisted construction workers and activists spied on by the police share their ongoing struggles. Blacklisting in the UK construction industry impacted thousands of workers who were labeled 'troublemakers' for speaking out and secretively denied employment. Activists uncovered alarming links between workplace blacklisting and undercover policing. Solidarity attentively follows meetings between activists and law students, brought together for the film, revealing the determination of a community working together to find a route to justice. The debut feature length film by artist filmmaker Lucy Parker it has been made alongside and features members of Blacklist Support Group, core participants in Undercover Policing Inquiry, and members of other campaigning groups. Official Selection Sheffield Doc/Fest 2019 - World premiere Official Selection IDFA 2019 - IDFA Competition for First Appearance - International premiere

Director: Lauren Gee

Year: 2024

Documenting and celebrating the Black British female roller-skating community, showcasing its long history and fixture within popular culture. Blurring the boundaries between documentary and music video, this experimental film reveals the expansive network of London’s Black skate scene through two key individuals that share their stories and delve into what this space and their skate crews and mentors provide them. This joyous exploration gives visibility to a subculture that to many outsiders is unknown but is made familiar through its nostalgic lens which pays homage to the sports DIY and music-led roots. Official Selection Trinidad and Tobago Film Festival 2025

Director: Saddiq Abubakar

Year: 2026

In isolation on Iceland’s Snæfellsnes Peninsula, Nigerian-born modular synthesis artist Colloboh transforms glacial and oceanic recordings into sonic compositions - uncovering a dialogue between ice and sea that reshapes his understanding of consciousness, ecological collapse, and humanity’s place within both. As his process unfolds, Colloboh transforms these sounds into layered sonic works that blur the boundaries between observation and communion. The film culminates in a haunting gesture: he plays the completed composition back to the landscape itself, completing a dialogue between artist and environment. A meditation on impermanence, consciousness, and the fragile bond between humanity and the natural world.