Fire

Director: Lucy Parker

Year: 2019

Exploring the secretive methods used against UK activists and trade unionists. Blacklisted construction workers and activists spied on by the police share their ongoing struggles. Blacklisting in the UK construction industry impacted thousands of workers who were labeled 'troublemakers' for speaking out and secretively denied employment. Activists uncovered alarming links between workplace blacklisting and undercover policing. Solidarity attentively follows meetings between activists and law students, brought together for the film, revealing the determination of a community working together to find a route to justice. The debut feature length film by artist filmmaker Lucy Parker it has been made alongside and features members of Blacklist Support Group, core participants in Undercover Policing Inquiry, and members of other campaigning groups. Official Selection Sheffield Doc/Fest 2019 - World premiere Official Selection IDFA 2019 - IDFA Competition for First Appearance - International premiere

Director: Burak Çevik

Year: 2026

At midnight, two lab assistants study an unknown substance using machines and procedures that are unclear to us. They pursue knowledge through the strict logic of the laboratory. As exhaustion settles in, one of the assistants brews Turkish coffee for the other, and the night shifts. The process becomes a fortune-telling, and the scientific gaze gives way to intuition. Moving from analysis to foresight, the two women imagine another method of knowing, a space where rational inquiry and intuitive perception coexist. Official Selection Berlin International Film Festival 2026 - Forum Expanded - World premiere

Director: Karimah Ashadu

Year: 2025

With no single protagonist or linear narrative, the film immerses the viewer in a spectacle of strength through an intimate portrait of bodybuilders in the slums of Lagos. Inflated muscles, bulging veins and luminous skin glistening with sweat fill the screen. Shot almost entirely in close-ups, the camera hovers so near its subjects, moving softly like breath on skin, that at times figures become blurred, abstracted forms. Karimah Ashadu’s slow, measured pans across backs, chests and arms meditate on visibility, drawing attention to the embodiment and representation of the Black male body without rendering it singular or fixed. The metallic clang of barbells is punctuated with guttural sounds of exertion set against the ambience of the streets. Breath and muscle move in syncopated sonic choreography, and the men’s commitment to the ritual of maintaining the body is evident. Official Selection Berlin International Film Festival 2026 - Forum Expanded - International Premiere