Project Detail

Flash In The Metropolitan

Synopsis

Shot in 2006 in New York's Metropolitan Museum of Art, the film tracks through the Near Eastern, African and Oceanic collections, offering fleeting glimpses of statues, bowls and historical artefacts.

Details

Year
2006
Type of project
Shorts
Running time
3 mins
Format
16mm
Director
Rosalind Nashashibi

Production Status

Sales Company

LUX, Shacklewell Studios,

18 Shacklewell Lane, London, E8 2EZ
Telephone: +44 (0)20 7503 3980

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Part One: Where There Is a Joyous Mood... Part One: Where There Is a Joyous Mood...

Director: Rosalind Nashashibi

Year: 2019

'Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine' concerns affective relations and community building. The film is like a spell or a promise for a new and more liberating type of family structure. The film has a non-linear narrative that weaves various intimate settings, some within shared domestic spaces, others in outdoor environments. Shot in Lithuania, London, and Edinburgh, the film features the artist and her children, as well as close friends, which she considers extended family. In the process of creating this new work, Rosalind Nashashibi questions how a group’s sense of commonality is dissolved when there is an absence of communal experience and adherence to linear time. Through an open-ended discussion of space and time travel in the film, which is in part inspired by the creation and dissolution of group relationships in Ursula Le Guin’s “The Shobies’ Story” (1990), Nashashibi explores new modes of conviviality, considering the absence of the nuclear family structure without an imperative model in sight. Official Selection Berlinale 2019 - Forum Expanded - International premiere

I Heard That They Are Not Going To See Each Other Anymore I Heard That They Are Not Going To See Each Other Anymore

Director: Ka Ki Wong

Year: 2026

In present-day Taipei, Tao develops unexplainable affectionate feelings for Shin, an indifferent guy. Desperate to create lasting memories, she sends people to beat him up, using pain as a twisted form of connection. Meanwhile, Melih, having left Istanbul for Taipei, owns a noodle shop. One night, he receives an unexpected flower from the perpetually drunk Ping. Melih begins to stare into the flower from time to time, experiencing the tale of Tao and Shin and revealing his own unspoken desire and failed attempts to connect with Ping. As Melih digs deeper into the tale, he confronts his struggles to form meaningful relationships. His struggle gradually mirrors Tao’s struggle with Shin. As Tao grows closer to Shin, Shin vanishes, leaving Tao to realize that these recollections, retained only by her, might be mere figments of imagination. Tao’s tale then makes Melih question if it’s better to forget everything, as he contemplates whether letting go of solitary memories might finally bring him peace. Official selection CPH:DOX Copenhagen International Documentary Festival 2026 - Next:Wave Competition (World Premiere)

Two dancers in Zimbabwe The Rift

Director: Janire Najera and Matt Wright

Year: 2025

A fulldome dance film set amidst the rich and varied landscapes of Zimbabwe, where performers express the tension, resilience and interconnectedness between people and the natural world under the pressures of climate change. With their movements, the dancers explore the consequences of environmental disruption and the profound ways in which people and nature are intertwined. Through abstract choreography, symbolic imagery and an atmospheric score, the work reflects the planet’s vulnerability, the challenges posed by environmental shifts and the transformative potential of collective effort. As the dancers navigate these ever-changing locations, their movements evoke the escalating consequences of a warming world, capturing both its fragility and the urgent call for action.