Project Detail

Four Parts of a Folding Screen

Synopsis

Based on documents found in Berlin archives, 'Four Parts of a Folding Screen' explores exclusion, statelessness and the legalised theft and sale of everyday family possessions by the National Socialist regime. A voice, enigmatic and sometimes uncertain, foretells of, relates and recalls the routine processes of injustice and their legacy: the creation of a diaspora of household objects, scattered amongst buildings that no longer exist. As the camera probes the secrets of ordinary spaces, streets and buildings around the city of Berlin, semblances of a person and a history begin to emerge and coalesce.
Official Selection Rotterdam International Film Festival 2018 - World premiere

Details

Year
2018
Type of film
Features
Running time
83 mins 16 secs
Format
HD video / super 8mm
Director
Anthea Kennedy, Ian Wiblin
Producer
Anthea Kennedy, Ian Wiblin
Editor
Anthea Kennedy, Ian Wiblin
Screenwriter
Anthea Kennedy, Ian Wiblin
Director of Photography
Ian Wiblin, Patrick Duval
Sound
Philippe Ciompi
Music
Alexander Balanescu
Principal cast
With the voice of Maren Hobein
Film Images
©Anthea Kennedy, Ian Wiblin

Production Status

Production Company

Anthea Kennedy, Ian Wiblin

Sales Company

Anthea Kennedy, Ian Wiblin

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The View from Our House The View from Our House

Director: Anthea Kennedy, Ian Wiblin

Year: 2013

An unseen woman witnesses the ordinary oppression and fear of the early years of National Socialism. She describes the sound of screaming she regularly hears on passing a military barracks whilst walking from her house to the station. Images of the barracks recur throughout the film, suggesting the routine tyranny that precipitates the woman's increasing fear and eventual journey into exile. The film's structure of repetition and retelling foregrounds the way in which her life is stunted by increasing marginalisation and terror. "I’m only just eighteen but sometimes I already feel so old that I think of dying," she writes in a letter to her would-be lover. The View from Our House is based in part on the memories, unsent letters and notebooks of a young photographer who lived in Berlin-Tempelhof. Aspects of her life are mapped out within this small area of Berlin through a succession of haunted images and sounds that imbue place with a sense of memory and history.

Spacewoman Spacewoman

Director: Hannah Berryman

Year: 2024

A landmark feature documentary about astronaut Eileen Collins, the first woman to pilot and command the Space Shuttle.<br /> Eileen’s incredible journey starts with her smalltown beginnings, sees her smash through many glass ceilings, and culminates in four dramatic space shuttle missions, the last being possibly the most dangerous and most important of them all.<br /> At its heart the film is the moving human drama of one family, where a mother’s extraordinary career takes us straight to the big philosophical question of what is the level of acceptable risk in human endeavour? <br /> This film celebrates Commander Collins’ trailblazing NASA career which opened the way for women to become spacecraft pilots and commanders, and proved a perfect riposte to a previous generation of male astronauts who thought there was no place for women to lead the way in space. <br /> Official Selection DOC NYC 2024 - World premiere<br /> Official Selection CPH:DOX 2025 - European premiere

What About Gary? What About Gary?

Director: Tristan M Copeland

Year: 2025

WHAT ABOUT GARY is a raw and emotive documentary that delves into the tragic consequences of misinformation, exploring how conspiracy theories led to the death of Gary Matthews from Covid-19. The film intimately portrays the profound grief of Gary's family and friends as they grapple with this senseless loss.<br /> Director Tristan Copeland, Gary's cousin, questions the purveyors of these falsehoods, driven by a need to understand why they ensnared Gary. Through vérité footage, archival materials, and Gary's own paintings, the film explores Gary’s descent into a distorted reality, seeking the root causes of his susceptibility to misinformation.<br /> Shot during the pandemic in Shrewsbury, England, WHAT ABOUT GARY captures the isolation that made many, including Gary, vulnerable to manipulation. With kinetic editing, evocative camera work, and a poignant score, the film examines how society failed to protect its citizens from misinformation.<br /> A potentially controversial yet vital work that questions how conspiracy theorists wield such influence and whether others can be saved from similar fates. A cautionary tale for a world grappling with truth in the digital age, and a tribute to a life tragically cut short, driven by a need to understand why.