FRAMERATE: Pulse of the Earth
Synopsis
Official Selection La Biennale Venice 2022
Details
- Year
- 2022
- Type of project
- XR / Immersive
- Running time
- 28 min
- Format
- 3D LiDAR scan data
- Director
-
Matt Shaw, William Trossell
- Producer
- Anetta Jones
- Executive Producer
- Matt Shaw, William Trossell, Meriko Borogove
- Sound
- Pascal Wyse
- Composer
- Pascal Wyse
Production Status
Production Company
ScanLAB Projects
Unit 7, 5 Durham YardLondon
E2 6QF
Sales Company
ScanLAB Projects
Unit 7, 5 Durham YardLondon E2 6QF
Page updates
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See also
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FRAMERATE: Rhythms Around Us
Director: Matt Shaw, William Trossell
Year: 2024
FRAMERATE: Rhythms Around Us bears witness to the flux of life on earth. Surrounded by shifting pointcloud landscapes, submerged in sound, we scale our perspective. Together we see the beautiful, creative, and destructive forces of nature and humanity. We are a part of this rhythm, we contribute to the cacophony, we are in sync, and we catastrophically collide with the beating pulse of our planet. Official Selection Tribeca Film Festival 2024 - Tribeca Immersive - World premiere
Adage
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Year: 2025
Adage is a ballet term which refers to a slow and graceful sequence of movements - in this film artist/ filmmaker Jack Barrett seeks to juxtapose this with disorientating abstraction caused by process and editing. Barrett utilises risograph, mono-print, shadow projection and manual point tracking to create varying levels of abstraction, in turn playing with our associated perception of movement. Official Selection Annecy Festival 2026
Loss.y
Director: Lisa Jamhoury
Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026