Fulll Firearms
Synopsis
The narrative touches upon themes of displacement and storytelling, and stands in the tradition of melodrama. The characters find themselves constantly having to adjust their expectations of each other so that they might be able to communicate within each other’s logic. In her films, Emily Wardill creates situations that examine conditions of precarity in society and how these affect people’s relationships with each other. Her films are fostered by improvisations and workshop sessions, that are set up by the artist to develop themes and characters in a collaborative manner.
“The house in the film produces an echo, because those who occupy it articulate their voices in relation to the making and writing of a history. Tracing the echoes of actions through the production of social spaces does not remain solely within the diegesis of the film. Instead, it extends to the exchange initiated by Wardill with her collaborators as they produce a film together, and also attempt to implicate the viewer in a film that is also a body – one that is constantly living and growing.” - Jacob Korczynski, 2011
Details
- Year
- 2011
- Type of film
- Features
- Running time
- 82 minutes
- Format
- HD
- Director
-
Emily Wardill
- Producer
- City Projects, Film London Artists' Moving Image Network
- Executive Producer
- Serpentine Gallery, If I Can't Dance I Don't Want To Be Part Of Your Revolution, Badischer Kunstverein, FRAC Champagne
- Editor
- Maya Maffoli
- Screenwriter
- Emily Wardill
- Director of Photography
- Taina Galis
- Production Designer
- Emily Wardill, Asta Meldal Lynge
- Sound
- Dominic Fitzgerald
- Principal cast
- IMELDA Catherine Schaub-Abkarian, BIANCA Holli Dempsey, KALAMI Lloyd Mosengo, LASLO Ariyon Bakare, JEROMEEdward Akrout, MARIANNE Elizabeth Elvin, QUARBAAN Avin Shah, SUHAD Danielle Urbas, STANLEY Carl Patrick
- Casting Director
- Rose Wicksteed/Parlour Casting
- Line Producer
- Graham Clayton-Chance
- 1st AD
- Andrew Richards
- 1st AC
- Annette Remler
- 2nd AC
- Jon Muschamp
- Colourist
- Jason R Moffat
- 2nd AC (daily)
- Rupert van der Broek
- Steadicam Operator
- Dawid Pietkiewicz
- Electrician
- Leszek Pietkiewicz
- Gaffer
- Tomas Mirecki
- DIT
- Liran Barlev
- Lighting Trainee
- Benjamin Hunt
- Sound Recordist
- Tom Sedgwick
- Boom Operator
- David Mason
- Costume Designer
- Kate Forbes
- Additional costumes
- Michael Hunt and Barbara Wardilll
- Script Supervisor
- Joel Furness
- Fixer
- Simon Kidner
- Catering Manager
- Bridget Eadie
- Unit Driver
- Richard Harrowing
- Assistant to line producer
- Akua Obeng-Frimpong
- Script advisors
- Michael Harding and Tony Grisone
- Locations
- The National Trust, Polly Braden, Broadgate Towers
Genre
Categories
Production Status
Production Company
Sales Company
None
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.

Director: Emily Wardill
Year: 2010
Game Keepers Without Game is a film set within the structure of a feature length melodrama. Formally based on the Spanish dramatist Pedro Calderón de la Barca’s Play La Vida es Suena (Life is a Dream), it follows the narrative of the return of a child who had been banished from the family home. Translated into contemporary British life, the film is comprised of a mixture of acted scenes where nothing and nobody touches each other. Still shots of objects become characters and a drumming sound track builds up and breaks down like the building of a house.

Director: Akporé Uzoh
Year: 2025
The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.

Director: Adam Park
Year:
Told through leaked footage compiled by a whistle-blower, the film follows Emma and Richard, a couple thrust into the wilderness to survive for 100 days. Their confidence quickly turns to terror as a malevolent creature begins stalking them, ultimately killing Richard in a gruesome attack. Emma escapes and infiltrates the facility where the show's creators review their "progress." There, she discovers the chilling truth: the creature is part of their unholy science. With the odds stacked against her, Emma turns the tables - delivering brutal justice with unexpected aid from the very horror that was meant to destroy her. A darkly satirical blend of horror, sci-fi, and mockumentary, THE WILDING exposes the monstrous extremes the powerful will go to cheat death - and the human cost of their ambition.