Game Keepers Without Game

Director: Emily Wardill

Year: 2011

Based on the life of Sarah Winchester and the Winchester Mystery House, Fulll Firearms presents the story of Imelda, a woman haunted by the victims of the guns sold in her father’s company. She uses her inheritance to work with an architect who builds a house for these ghosts. When a group of people squat her half finished building Imelda is convinced that they are the ghosts that she expected. The narrative touches upon themes of displacement and storytelling, and stands in the tradition of melodrama. The characters find themselves constantly having to adjust their expectations of each other so that they might be able to communicate within each other’s logic. In her films, Emily Wardill creates situations that examine conditions of precarity in society and how these affect people’s relationships with each other. Her films are fostered by improvisations and workshop sessions, that are set up by the artist to develop themes and characters in a collaborative manner. “The house in the film produces an echo, because those who occupy it articulate their voices in relation to the making and writing of a history. Tracing the echoes of actions through the production of social spaces does not remain solely within the diegesis of the film. Instead, it extends to the exchange initiated by Wardill with her collaborators as they produce a film together, and also attempt to implicate the viewer in a film that is also a body – one that is constantly living and growing.” - Jacob Korczynski, 2011

Director: Matt Nicholas

Year: 2026

Dr. Atkins, the hospital’s expert in removing “foreign objects”, finds himself in a bind when he forgets to get a present for his big wedding anniversary. When the perfect gift presents itself inside a patient, will he be willing to risk it all for love?

Director: David Skynner

Year: 2026

A 50-year-old widow, Emma, has lost everything since her husband, Sam, was killed and her final refuge, a holiday lodge in Cornwall is due to be repossessed too. She is harried by debt collectors, seeing things, agoraphobic, and convinced she is losing her mind. Desperate, she calls for help from any God listening, and in a dark wood, something hears her. Her dead husband is haunting her and appears and talks to her in the dead of night. Emma’s starts to experience dreams of a magical wood and strange figures of butterflies and men made from twigs start to appear in and around the lodge. Sam is advising that she must let go of the old, in order let a new life in, but this terrifies Emma. Emma starts to see moments from her future; each bleaker than the last and fears for her own survival. With eviction imminent, Emma agrees she must surrender, whatever that might mean. A creature made from forest appears and helps her to escape. She follows it into the magical wood from her dreams and is baptised in a beautiful river. When she emerges, she is reborn and ready for her new life.