Game Keepers Without Game
Synopsis
Details
- Year
- 2010
- Type of project
- Features
- Running time
- 87 mins
- Format
- 16mm
- Director
-
Emily Wardill 1st Feature
- Producer
- Tom Dingle
- Editor
- Emily Wardill
- Director of Photography
- Tim Sidell
- Sound
- Dominic Fitzgerald
- Composer
- Jamie Gomez
- Principal cast
- Chloe Wilson, Holli Dempsey, Marco Aponte, Julia Dagger, Glenn Conroy, Akhram Girmay, Alison Girmay
Genre
Categories
Production Status
Production Company
Tom Dingle
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See also
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Fulll Firearms
Director: Emily Wardill
Year: 2011
Based on the life of Sarah Winchester and the Winchester Mystery House, Fulll Firearms presents the story of Imelda, a woman haunted by the victims of the guns sold in her father’s company. She uses her inheritance to work with an architect who builds a house for these ghosts. When a group of people squat her half finished building Imelda is convinced that they are the ghosts that she expected. The narrative touches upon themes of displacement and storytelling, and stands in the tradition of melodrama. The characters find themselves constantly having to adjust their expectations of each other so that they might be able to communicate within each other’s logic. In her films, Emily Wardill creates situations that examine conditions of precarity in society and how these affect people’s relationships with each other. Her films are fostered by improvisations and workshop sessions, that are set up by the artist to develop themes and characters in a collaborative manner. “The house in the film produces an echo, because those who occupy it articulate their voices in relation to the making and writing of a history. Tracing the echoes of actions through the production of social spaces does not remain solely within the diegesis of the film. Instead, it extends to the exchange initiated by Wardill with her collaborators as they produce a film together, and also attempt to implicate the viewer in a film that is also a body – one that is constantly living and growing.” - Jacob Korczynski, 2011
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Welcome
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Year: 2026
A famous Black actor accepts a role in a lucrative government film, but when he learns he’s starring in a welcome video for a British Internment camp, he is confronted by the devastating cost of his political indifference.