Going to the Dogs

Director: Greg Cruttwell

Year: 2020

THE FOOTBALL MONOLOGUES is an absorbing, funny and poignant look at life across the playing fields and terraces. Writer, producer and director Greg Cruttwell's film tells the stories of seven different people living in and around the beautiful game. Amongst our subjects are Kimberly (Emma Amos), a straight-talking, no-nonsense businesswoman; experienced referee Colin (Mark Hadfield), a man in his late 50's and a stickler for the rules and Mark (Samuel Anderson), a professional player who should be in his prime but is feeling the pressure. Each of our subjects talks intimately to the camera, unveiling their innermost hopes and fears and one by one they touch on themes central to us all: the fragility of our mental selves, the failings of our bodies, the complexities of our relationships and ambitions and our need to connect.

Director: Mark Forbes

Year: 2021

Erwin Wyrsch is a retired Swiss photo journalist from 1960's to 1990's where he met Peter Fonda, Billy Idol and Arnold Schwarzenegger. Erwin brought the idea of a Motorcycle Benefit event, based on the model of the American love ride, to Switzerland. He believes the art of taking a photo has been lost in the modern world. He spends his senior years restoring his convertible vintage Lotus in his friend's garage in Switzerland.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.