Green Lung
Synopsis
Details
- Year
- 2024
- Type of project
- Shorts
- Running time
- 3 min 13 sec
- Director
-
Simon Hamlyn
- Producer
- Gary Thomas, Abigail Addison
- Editor
- Simon Hamlyn
- Sound
- Martin Viktorov
- Composer
- Martin Viktorov
- Animation
- Simon Hamlyn
Categories
Production Status
Production Company
Animate Projects Limited
45 Empress RoadDerby
DE23 6TD
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Architects' Cruise
Director: Simon Hamlyn
Year: 2022
Architects gaze out across oceans. Away from the land, their intentions grow focused. In the flurry of debate, the cities of the future emerge. A hand-printed film. Official Selection Internationales Trickfilm-Festival Stuttgart 2023
How to Be a Ghost in Bangkok?
Director: Jing Zhao
Year: 2025
After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless Southeast Asian ghost cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.
As Time Swallows Time
Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks
Year: 2025
AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.