Half Wet
Synopsis
Details
- Year
- 2014
- Type of film
- Shorts
- Running time
- 6 mins
- Format
- Digital HD1080p
- Director
-
Sophie Koko Gate
- Producer
- Animation Staff, Royal College of Art
- Editor
- Sophie Koko Gate
- Screenwriter
- Sophie Koko Gate
- Production Designer
- Sophie Koko Gate
- Sound
- Jonny Wildey
- Composer
- Jonny Wildey
- Principal cast
- Paul Williams, Keiran P Chantrey
Genre
Categories
Production Status
Production Company
Animation Department
Royal College of ArtKensington Gore
London SW7 2EU
T: +44 (0) 20 7590 4512
E: animation@rca.ac.ukE: jane.colling@rca.ac.uk
Sales Company
Future Shorts
2-18 Warburton RoadLondon E8 3RT
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Hotel Kalura
Director: Sophie Koko Gate
Year: 2021
A woman walks into a hotel bar on the romantic island of Sicily, waiting to be lit. Official Selection Animafest Zagreb 2022 Official Selection Indie Lisboa 2023 - International Competition
Slug Life
Director: Sophie Koko Gate
Year: 2018
We follow a day in the life of Tanya, a curious woman who has developed a taste for non-human lovers. This time her bedroom experiments result in the creation of a beautiful giant slug. Has she finally found the formula for total perfection? If so, can such a thing survive in this gnarly world full of freaks and beefs? Official Selection SXSW 2019 - Animated Shorts Competition Official Selection Sundance Film Festival 2020 - Midnight Shorts - Nominated, Short Film Grand Jury Prize Official Selection Clermont-Ferrand International Short Film Festival 2020
Border as interface
Director: Petra Szemán
Year: 2024
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025