Hotel Kalura
Synopsis
Official Selection Animafest Zagreb 2022
Official Selection Indie Lisboa 2023 - International Competition
Details
- Year
- 2021
- Type of film
- Shorts
- Running time
- 5 min 4 sec
- Director
-
Sophie Koko Gate
- Producer
- Sophie Koko Gate
- Editor
- Sophie Koko Gate
- Screenwriter
- Sophie Koko Gate
- Production Designer
- Sophie Koko Gate
- Sound
- Skillbard
- Composer
- ARTHUR
- Principal cast
- Voiceover: Sophie Koko Gate, Oliver Gate
Genre
Categories
Production Status
Production Company
Sophie Koko Gate
Page updates
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See also
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Slug Life
Director: Sophie Koko Gate
Year: 2018
We follow a day in the life of Tanya, a curious woman who has developed a taste for non-human lovers. This time her bedroom experiments result in the creation of a beautiful giant slug. Has she finally found the formula for total perfection? If so, can such a thing survive in this gnarly world full of freaks and beefs? Official Selection SXSW 2019 - Animated Shorts Competition Official Selection Sundance Film Festival 2020 - Midnight Shorts - Nominated, Short Film Grand Jury Prize Official Selection Clermont-Ferrand International Short Film Festival 2020
Half Wet
Director: Sophie Koko Gate
Year: 2014
We are all born as wet as a banana. 75% water. By the time we reach adulthood that amount goes down to 54%. Gus bumps into Tiny Eyes at dusk, on the eve of his 25th birthday.
Border as interface
Director: Petra Szemán
Year: 2024
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025