Here to Be Heard: The Story of the Slits

Director: William E. Badgley

Year: 2020

The story of Don Letts, a first generation Black British cultural mover and shaker, filmmaker, musician and raconteur. The film frames Don’s story with the Enoch Powell Rivers of Blood speech in 1968 and the “hostile environment” immigration policy of 2018. That’s the backdrop and the context of Don’s life – trying to find a place in the world. So we cover his relationship with the nascent punk scene – how rastas and punks found a common bond, both outside the mainstream, and how he introduced dub reggae to the punks. How he became part of the inner circle of the Clash, and how Johnny Rotten took him to Jamaica. He then became a top promo director (London Calling, Chain Gang, Pass the Dutchie) and then he formed a band, Big Audio Dynamite, with his old friend Mick Jones and made music that incorporated dance, reggae, rap, film samples and rock n roll. On leaving BAD Letts became a feature director, won a Grammy for his documentary WESTWAY TO THE WORLD: THE STORY OF THE CLASH, and is now a leading cultural commentator.

Director: Alex Nevill

Year:

Temperatures rise, oceans acidify, storms roll in, coast lines shimmer and degrade. Stories bubble up, mythology, folklore, tales of a perilous sea, communal rituals for protection and harmony with nature. RESTLESS SEA is an immersive installation exploring climate resilience in coastal Hebridean communities, a chain of islands west of Scotland.

Director: Patrick Hough

Year: 2026

Filmmaker Patrick Hough journeys through the haunted landscapes of Ireland, where colonial violence, ecological loss and queer desire remain inscribed in the land. Moving between forests, mountains, archives and cruising grounds, the film traces the extinction of the Irish grey wolf alongside the cultural suppression that followed Cromwellian conquest of Ireland. Fragments of history surface through objects and places: a death mask of Oliver Cromwell, medieval myths of werewolves, maps drawn to measure and divide conquered territory, and landscapes where wolves were once hunted to disappearance. These materials are interwoven with contemporary nocturnal scenes of queer gathering and protest, where shame gives way to transformation, pleasure and resistance. Blending essay film, documentary and poetic fiction, LANDSCAPES OF SHAME asks how violence survives in landscapes, language and bodies - and what forms of wildness still remain. Official Selection BFI London Film Festival 2026