Here to Be Heard: The Story of the Slits

Director: William E. Badgley

Year: 2020

The story of Don Letts, a first generation Black British cultural mover and shaker, filmmaker, musician and raconteur. The film frames Don’s story with the Enoch Powell Rivers of Blood speech in 1968 and the “hostile environment” immigration policy of 2018. That’s the backdrop and the context of Don’s life – trying to find a place in the world. So we cover his relationship with the nascent punk scene – how rastas and punks found a common bond, both outside the mainstream, and how he introduced dub reggae to the punks. How he became part of the inner circle of the Clash, and how Johnny Rotten took him to Jamaica. He then became a top promo director (London Calling, Chain Gang, Pass the Dutchie) and then he formed a band, Big Audio Dynamite, with his old friend Mick Jones and made music that incorporated dance, reggae, rap, film samples and rock n roll. On leaving BAD Letts became a feature director, won a Grammy for his documentary WESTWAY TO THE WORLD: THE STORY OF THE CLASH, and is now a leading cultural commentator.

Director: Julian Konczak

Year: 2025

Following a pilgrimage through the sacred sounds of India – a land of many faiths, including Vedanta, Islam and Buddhism. Using striking visual material accompanied by an evocative, multi-layered soundtrack, the audience is taken on a unique sonic journey through the sacred sound practices of many of the world’s key religions. A combination of interviews, performances, and natural sounds creates a rich, immersive cinematic experience. With an intimate, direct camera style, viewers can get close to the many spiritual practitioners, musicians, and meditation teachers who form the fabric of the journey. Bubbling hot springs, subtropical nocturnal symphonies of insects, and harsh, frozen mountain winds combine with mantra chanting, classical Hindustani music, and the dynamic temple sounds of drums and trumpets. This audiovisual tone poem invites you to experience heightened sensory awareness and the transformative, healing power of sound.

Director: Eamon Bourke

Year: 2026

Sue died suddenly in 1983, leaving behind three young children. Her son, filmmaker Eamon Bourke, was three and has no memories of his mother. When his father, John, decides to sell their remote cottage in Cumbria, Eamon doesn’t want to let it go, so returns to capture it on film. In the process of clearing the house, Eamon discovers a series of extraordinary cassette tapes recorded by Sue. These cassettes hold the memories Eamon has longed for. Sue’s voice lights up the film. But within the recordings are some devastating moments, including Sue falling ill with hepatitis. The last thing she recorded was her and Eamon singing together. Then another tape is discovered, broken and with a severed reel. Eamon repairs this cassette, revealing a heartbreaking recording that transports him back to the epicentre of the tragedy. Through interviews with his family members, alongside land art, animation and music, THE SOLWAY explores the trauma of losing a parent in early childhood and how the ripples of this grief linger into later life. Set amongst the cinematic beauty of the Lake District, this film has a rare magic to it and offers audiences a space to contemplate their own grief.