I Am A Spy

Director: Sarah Wood

Year: 2009

An experimental film essay investigating the cultural importance of cinema. In an age dominated by the moving image what would it feel like to never see an image of the place that you came from? The Palestinian Film Archive contained over 100 films showing the daily life and struggle of the Palestinian people. It was lost in the Israeli siege of Beirut in 1982. Here interviewees describe from memory key moments from the history of Palestinian cinema. These scenes are drawn and animated. Where film survives, the artist's impressions are corroborated. This is a film about reconstruction and the idea that cinema is an expression of cultural identity - that cinema fuels memory.

Director: Matilda Hay

Year: 2025

At a time when many people struggle to talk openly about grief, SOLITUDE WITH SCHUBERT asks what role music can play in helping us live alongside loss. The film follows concert pianist George Xiaoyuan Fu as he navigates the death of his father through Franz Schubert's late works. Extending this exploration beyond himself, Fu connects with a hospice bereavement group and performs a recital for them – sharing how music can offer connection, catharsis and solace when words fall short. He then records an album with mezzo-soprano Lotte Betts-Dean, reflecting on how the echoes of those we’ve loved and lost stay with us. It’s an intimate portrait of how art can offer solace and meaning, creating a space for grief to be safely felt, shared and transformed.

Director: Sadia Pineda Hameed

Year: 2026

ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).