I Am A Spy

Director: Sarah Wood

Year: 2009

An experimental film essay investigating the cultural importance of cinema. In an age dominated by the moving image what would it feel like to never see an image of the place that you came from? The Palestinian Film Archive contained over 100 films showing the daily life and struggle of the Palestinian people. It was lost in the Israeli siege of Beirut in 1982. Here interviewees describe from memory key moments from the history of Palestinian cinema. These scenes are drawn and animated. Where film survives, the artist's impressions are corroborated. This is a film about reconstruction and the idea that cinema is an expression of cultural identity - that cinema fuels memory.

Director: Barnaby Thompson

Year: 2026

An in-depth study of David Lean, the man and his films. David Lean was one of the greatest filmmakers. He redefined what films could be, but his singular vision and tenacious determination to film the impossible earned him a reputation as an obsessive maverick. He was a master of his craft, capable of creating love and beauty on screen, but whose personal life was often troubled, uprooted, and painful. Featuring interviews with contemporary filmmakers including Wes Anderson, Paul Greengrass, Alfonso Cuarón, Celine Song, Brady Corbet, Francis Ford Coppola, Denis Villeneuve, Nia DaCosta, and Joe Wright. Official Selection Cannes Film Festival 2026 - Cannes Classics - World premiere

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026