If You Knew

Director: Stroma Cairns

Year: 2025

Jonah, charismatically ADHD and dyslexically created, is a man-child who keeps on slipping. At the same time, his best mate, Lee, nimbly climbs every ladder. After hitting yet another bump and under pressure to see his great-aunt, who is lost to dementia, Jonah contrives that he and Lee visit, hoping it might also offer respite from himself and the mess he’s creating. Though the Northeast coast of Scotland wasn’t quite what Lee envisioned, it holds a certain wildness and wonder. They meet Charlie, who is profoundly Deaf and attempting to clean up after his shady twin brother. Through a developing friendship, the three boys form a connection that ultimately brings Jonah to discover the courage to be vulnerable and that joy is possible despite loss. THE SON AND THE SEA brings personal experience and threads of familial history together to ask: how will boys become men if there’s no one to show them the way? Official Selection Toronto International Film Festival 2025 - World premiere Official Selection San Sebastián International Film Festival 2025 - European premiere Official Selection BFI London Film Festival 2025

Director: Mark Forbes

Year: 2021

Erwin Wyrsch is a retired Swiss photo journalist from 1960's to 1990's where he met Peter Fonda, Billy Idol and Arnold Schwarzenegger. Erwin brought the idea of a Motorcycle Benefit event, based on the model of the American love ride, to Switzerland. He believes the art of taking a photo has been lost in the modern world. He spends his senior years restoring his convertible vintage Lotus in his friend's garage in Switzerland.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.