In the Shadows of the Light

Director: Daniel Griggs

Year: 2011

The Parking Place takes parking of cars to the next level in a form of a riotous situation Comedy about two men, Dr George and Peter, who quarrel over a parking space! The men, from opposite end of the social spectrum, end up in the same predicament with hilarious and dramatic consequences.

Director: James Richards

Year: 2026

Taking as his starting point - less by way of invocation than summoning - the text from Marguerite Duras’ 'Les Mains négatives' and Tony Conrad’s 'The Flicker', James Richards weaves together stirring fragments composed from 2022-2026, including repurposed material from friends and collaborators including Steve Reinke. The screen is filled with images and impressions, depicting a frantic yet melancholic quest for meaning between language, gesture, and sensation. Official Selection Toronto International Film Festival 2026 - World premiere

Director: Siobhan Silén

Year: 2027

An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.