Inanimate
Synopsis
Official Selection Cannes Film Festival 2018 - Cinéfondation - World premiere
Official Selection Annecy Film Festival 2018 - Graduation Films Competition
Details
- Year
- 2018
- Type of project
- Shorts
- Running time
- 8 mins 30 secs
- Format
- Stop Motion
- Director
-
Lucia Bulgheroni
- Producer
- Lennard Ortmann
- Editor
- Raphael Pereira
- Screenwriter
- Andrew Eu (writer), Jonty Dawson (script development), Lucia Bulgheroni (story)
- Director of Photography
- Ronnie McQuillan
- Production Designer
- Kristina Kovacs
- Sound
- Louise Burton
- Composer
- Jose Pavli
- Principal cast
- Erin Austen, Jay Taylor, Jassa Ahluwalia
- Animation
- Lucia Bulgheroni
Genre
Categories
Production Status
Production Company
National Film and Television School
Beaconsfield Studios141 Station Rd
Beaconsfield
HP9 1LG
Sales Company
National Film and Television School (Festivals worldwide excluding Italy)
Beaconsfield Studios141 Station Rd
Beaconsfield
HP9 1LG
Page updates
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Border as interface
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A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025