Le Fear ii: Le Sequel
Synopsis
Details
- Year
- 2011
- Type of project
- Features
- Running time
- 90 mins
- Format
- HDV
- Director
-
Jason Croot
- Producer
- Jay Croot
- Co-Producer
- Jillian O'Neil
- Principal cast
- Andrew Tiernan, Kyri Saphiris, Denise Moreno, Leila Reid, Eleanor James
Genre
Categories
Production Status
Production Company
JCP
http://www.imdb.com/company/co0320198/
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Get Cash
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A trio of film students decide to get the money for a low budget film project by stealing a drug dealers wad of illicit cash but things go wrong.
le Fear
Director: Jason Croot
Year: 2011
Carlos Revalos a 21 times Film Director embarks on his biggest Film yet 'Le Fear' a horror love story with a 3 million pound budget. What can go wrong? Everything, as Carlos hires the worst cast and crew ever to walk on this planet which makes the film a recipe for disaster, Larry Rothschild the executive producer on the film who was promised Brad Pitt which never happened instead he got Leon the pompous Lead actor who walks off set time and time again, Debbie D the hysterical inexperienced glamor model who fluffs her lines over and over, the werewolf wearing a rain coat and who cant speak a word of English and the sparky who is color blind and many more misfits and Carlos has no control of any of them - this is Larry's first attempt at investing in a film and no doubt his last.
Anak Where Did We Stay?
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ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).