Lights Out
Synopsis
Details
- Year
- 2016
- Type of film
- Shorts
- Running time
- 1 min 50 secs
- Format
- Digital HD
- Director
-
Kayvan Beklik
- Producer
- Kayvan Beklik
- Screenwriter
- Edward Thomas (poem)
- Principal cast
- Kayvan Beklik
- Soundtrack
- 'Thunderbird' by Kevin MacLeod (incompetech.com) licensed under Creative Commons
Categories
Production Status
Production Company
Kayvan Beklik
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Terror Element
Director: Anna Engelhardt, Mark Cinkevich
Year: 2025
Forensic science is scrutinised when a fictional investigator questions procedures and motivations in the politicised 1999 bombings of flats in Russia. Official Selection BFI London Film Festival 2025
Resurrect Me As a Parasite
Director: Gabi Dao, Lou Lou Sainsbury
Year: 2025
A vampiric trio move through sacred ruins, where bodies blur, relics stir, and both life and death appear in shadow. Official Selection BFI London Film Festival 2025 - World premiere
Border as interface
Director: Petra Szemán
Year: 2024
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025