Love in the Post

Director: Joanna Callaghan

Year: 2024

Chronicling the inspiring and offbeat recovery of Joanna Callaghan, a two-time hereditary cancer survivor, who takes a radically creative approach to healing after breast cancer treatment. Following a double mastectomy, Joanna reclaims her body in the most unexpected ways - building a giant inflatable breast, devising song-and-dance routines inspired by post-surgery exercises, and throwing a party to celebrate breasts. Her journey is not just one of physical healing but also a powerful exploration of body acceptance and resilience. Through a blend of self-shot footage, animation, and archival clips, the film brings humour and heart to the sensitive topic of breast cancer recovery. Joanna’s imaginative outlook shines through as she revisits her treatment, reconnects with family, and meets other survivors to share stories. Along the way, she faces the emotional toll of illness, navigates her own transformation, and demonstrates the power of creativity as a tool for survival. This raw yet uplifting documentary delivers a message of hope and joy, shedding light on the deeply personal and universal experiences of those affected by breast cancer. Its inventive approach and fresh perspective on survivorship inspires viewers to find humour, hope, and healing even in the most difficult circumstances.

Director: Robyn Egan

Year: 2026

Wren is interviewed for a job at Brixham Fish Market. Gary shows her around and tells her to come back tomorrow, for the night shift. A few hours into the shift and Wren is flagging, she enjoys a moment of calm whilst smoking outside - until she is confronted with Cali, who wants a lighter and a chat. The next few nights, sleepless days and awkward interactions blur into each other until Cali greets Wren with a coffee and cigarette for the usual 2am slump. Wren is disgusted when realising Cali has spiked her coffee with brandy. Steph shows Wren how to fillet. Cali rushes to help, standing behind Wren, he places his hands on hers.Wren shrinks down, motionless, allowing Cali to puppeteer her, forcing his groin into her from behind. Wren empties her locker, she’s not coming back. She leaves, only to find Cali waiting for her, unbuckling his belt. Wren waits until his trousers are down, walks over to him, without breaking eye contact and guts Cali like a fish. She makes use of the “Monster Industrial Chum Grinder”, to dismember Cali’s body, discarding the chum into the sea at sunrise. She gracefully enters the sea herself, cleansed.

Director: Martin Crasborn

Year: 2026

Set in rural England, Dusk follows Douglas, a young farmer whose beloved horse suffers a debilitating injury. When his father insists the decision to end her suffering must be rest on his shoulders alone, Douglas must confront the heavy weight of adulthood. Rifle in hand, he faces an agonising test of duty.