Love in the Post

Director: Joanna Callaghan

Year: 2024

Chronicling the inspiring and offbeat recovery of Joanna Callaghan, a two-time hereditary cancer survivor, who takes a radically creative approach to healing after breast cancer treatment. Following a double mastectomy, Joanna reclaims her body in the most unexpected ways - building a giant inflatable breast, devising song-and-dance routines inspired by post-surgery exercises, and throwing a party to celebrate breasts. Her journey is not just one of physical healing but also a powerful exploration of body acceptance and resilience. Through a blend of self-shot footage, animation, and archival clips, the film brings humour and heart to the sensitive topic of breast cancer recovery. Joanna’s imaginative outlook shines through as she revisits her treatment, reconnects with family, and meets other survivors to share stories. Along the way, she faces the emotional toll of illness, navigates her own transformation, and demonstrates the power of creativity as a tool for survival. This raw yet uplifting documentary delivers a message of hope and joy, shedding light on the deeply personal and universal experiences of those affected by breast cancer. Its inventive approach and fresh perspective on survivorship inspires viewers to find humour, hope, and healing even in the most difficult circumstances.

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.